KORG app Help Center

Synth gadgets

 

 


 

Berlin
Monophonic Synchronized Synthesizer

This is a synthesizer gadget with a classical design that’s optimized for lead sounds. It provides a sync oscillator that can generate complex overtones, delivering diverse sounds with a sense of modulation.

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PORTA.
This sets the pitch glide speed.

BEND
This sets the pitch bend.

VIB.
This sets the depth of the vibrato.

VOLTAGE CONTROLLED OSCILLATOR
PITCH
This adjusts the pitch that produced by the oscillator.

WAVEFORM
This selects the waveform of the oscillator.

BALANCE
This adjusts the pitch balance of the tone.

MOD
This sets the depth of the modulation for the oscillator.

TONE
This adjusts the tone of the oscillator.

EG/LFO
This selects EG or LFO as the sync modulation source.

ENVELOPE GENERATOR 
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time until the level becomes 0 after the attack level is reached.

LOW FREQUENCY OSCILLATOR
SHAPE
This selects the LFO waveform.

FREQ
This sets the LFO frequency.

KEY SYNC
If this setting is On, the LFO will be reset at each note-on.

TEMPO SYNC
If this is On, the LFO frequency will synchronize to the tempo of the song.

VOLTAGE CONTROLLED LOW PASS FILTER
FREQ.
This sets the cutoff frequency of the filter.

RESO.
This sets the resonance of the filter.

EG
This sets the depth of the modulation where the EG1 will affect the cutoff frequency.

LFO
This sets the depth of the modulation where the LFO will affect the cutoff frequency.

KBD
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

VOLTAGE CONTROLLED AMPLIFIER 
A (Attack)
This sets the amount of time from note-on until the attack level is reached.

D (Decay)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

S (Sustain)
This sets the sustain level.

R (Release)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

LEGATO
This switches the legato on/off.

DELAY

TIME
This sets the delay time,

LEVEL
This sets the delay level.

SPREAD
This sets the width for how far the delay sound will be panned.

MASTER
LEVEL
This sets the output volume.



 

Dublin
Monophonic Semi-Modular Synthesizer

This is a semi-modular synthesizer gadget with classic, vintage looks. It’s especially good for deep bass sounds. In addition to being capable of straightforward yet deep subtractive synthesis with a plain waveform and filter, it also lets you enjoy a wide range of varying tones by changing the patching.

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VCO 1

WAVEFORM
This selects the waveform of oscillator 1.

SHAPE
This sets the pulse width when the WAVEFORM is set to Pulse.

SCALE
This adjusts the pitch produced by oscillator 1, in octaves.

VCO 2 

WAVEFORM
This selects the waveform of oscillator 2.

TUNE
This adjusts the pitch produced by the carrier oscillator 2.

SCALE
This sets the pitch produced by the oscillator 2, in octaves.

MIXER
VCO 1
This sets the volume of oscillator 1.

VCO 2
This sets the volume of oscillator 2.

NOISE
This sets the volume of the noise generator.

VCF
CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter.

KBD AMT
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

VCA 
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time it will take for the level to change from the attack level to the sustain level.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

KEYBOARD

PORTA
This sets the pitch glide speed.

LEGATO
When this is turned on, each note is played legato when sliding along the keyboard.

MASTER

VOLUME
This sets the volume.

DRIVE
This sets the amount of the output drive.

TONE
This adjusts the tone.

MG 1, MG 2

MG OUT
Tap and drag to connect patch cables and select the modulation destination for the MG (modulation generator).

AMOUNT
This sets the amount of modulation for the MG (Modulation Generator).

WAVEFORM
This selects the waveform of the MG (Modulation Generator).

KEY
If this setting is On, the waveform will be reset at each note-on.

FREQ
This sets the frequency of the waveform.

BPM
If this is On, the frequency of the waveform will synchronize to the tempo of the song.

ENVELOPE GENERATOR

EG OUT
Tap and drag to connect patch cables and select the modulation destination for the EG.

AMOUNT
This sets the amount of modulation for the EG.

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PATCHBAY INPUTS

This sets the modulation destinations for MG1, MG2 and the EG.
Any of the following parameters can be set as the modulation destination.

・VCO 1 SHAPE

・VCO 1 & VCO 2 PITCH

・VCO 2 PITCH

・VCO 1 LEVEL

・VCO 2 LEVEL

・NOISE LEVEL

・VCF CUTOFF

・VCA GAIN

・MG1 FREQ

・MG2 FREQ



 

Brussels
Monophonic Anthem Synthesizer

This synthesizer gadget has a simple and carefully considered parameter structure with an intuitive user interface. The thick unison tones that emanate from this futuristic design will give you the lead sounds that you need for any type of electronic music.

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PERFORMER

PUMP
This sets the depth of the pumping effect.

REPEAT
This sets the depth of the repeat effect.

GENERATOR

BOTTOM
This sets the volume of the sub oscillator.

GLIDE
This sets the pitch glide speed.

DIFFUSE
This sets the spread of the sound.

FILTER
This sets the cutoff frequency of the filter.

TWIST
This sets the modulation depth for the oscillator.

OUTPUT
LEVEL
This sets the overall volume.

REVERB
TONE
This sets the reverberation tone.

LEVEL
This sets the reverberation level.



 

ChiangMai
Variable Phase Modulation Synthesizer

This is a polyphonic synthesizer gadget that features VPM (Variable Phase Modulation) synthesis. With a subdued gold body, this gadget is particularly good at sparkling metallic bell sounds.

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OSCILLATORS (1, 2)

LEVEL
This sets the volume of the oscillator.

WAVEFORM
This selects the waveform of the oscillator.

PITCH
This adjusts the pitch produced by the oscillator.

HARMONICS
This sets the frequency of the VPM (Variable Phase Modulation) modulator as a harmonic multiple of oscillator.

DEPTH
This sets the depth of VPM.

ENV
This sets the amount of modulation which the EG will use to affect the depth of the VPM.

FILTER
FREQUENCY
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENV AMT
This sets the amount of the modulation which the EG will use to affect the cutoff frequency.

KBD AMT
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

ENVELOPES (FILTER, AMPLIFIER)
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

CHORUS
SPEED
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

DEPTH
This sets the depth of the effect.

DELAY
TIME
This sets the delay time

LEVEL
This sets the delay level.

OUTPUT
LEVEL
This sets the volume.



 

Chicago
Tube Bass Machine

This is a straightforward acid house bass gadget with a shiny silver metal body. It featuresa “Bite” filter that covers the range from classic, “sticky-sounding” synth bass to intensely distorted aggressive sounds. There’s a built-in arpeggiator and multi-effect, so your creations will have plenty of variety.

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OSCILLATOR WAVE
This selects the waveform of the oscillator.

GLIDE
This sets the pitch glide speed.

ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

AMPLIFIER ENV/GATE
This selects the envelope source that will produce change in the volume.

LEVEL
This sets the volume.

ARPEGGIATOR

ON
This switches the arpeggiator on/off.

RANGE
This sets the range of octaves where the arpeggio will be played.

MODE
This selects the arpeggio type.

SPEED
This sets the performance speed of the arpeggiator.

FILTER CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter. This sets the amount of modulation which the EG will use to affect the cutoff frequency.

BITE
This sets the amount of drive for the filter.

GNAW
This gives a unique frequency change to the filter input, changing it to an aggressive sound.

EFFECT

TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.



 

Helsinki
Polyphonic Ambient Synthesizer

This is a pad sound gadget that’s easy to use for genres such as Ambient or Chillwave. The subtle yet deep sound played through lo-fi and reverb effects, conveyed through the floating interface, creates an atmosphere that is both nostalgic and futuristic.

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LOFI
FREQ
This sets the roughness of the sound and the frequency of the digital meter.

MIX
This sets the amount of the effect sound mixed with the dry sound.

REVERB
TIME
This sets the reverberation time.

LEVEL
This sets the reverberation level.

OUTPUT
LEVEL
This sets the volume.

GENERATORS
WAVE
This selects the waveform of the oscillator.

LOW
This sets the low range level of the oscillator.

HI
This sets the high range level of the oscillator.

HIGHER
This sets the higher range level of the oscillator.

NOISE
This sets the volume of the noise generator.

FILTER
TYPE
This selects the filter type.

FREQ
This sets the cutoff frequency of the filter.

RESO
This sets the resonance of the filter.

ENVELOPE
A
This sets the amount of time from note-on until the attack level is reached.

D
This sets the amount of time from when the attack level is reached until the sustain level is reached.

S
This sets the sustain level.

R
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.



 

Kiev
Advanced Spatial Digital Synthesizer

The yellow body of this synthesizer gadget projects the impression of a secret weapon hidden in an industrial zone. It features “vector synthesis” using four oscillators that generate organic, spacey sounds. Use the touchpad to intuitively control the mysterious “warp” sound that seems to contort space itself.

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OSC. MORPHER
TOUCH-PAD
This adjusts the volume balance of oscillator A, B, C, and D.

A/B DEPTH
This sets the amount that the volume balance of oscillators A and B are changed.

A/B SPEED
This sets the speed at which the volume balance of oscillators A and B are changed

C/D DEPTH
This sets the amount that the volume balance of oscillators C and D are changed.

C/D SPEED
This sets the speed at which the volume balance of oscillators C and D are changed.

OSCILLATOR
WAVEFORM A
This selects the waveform of the oscillator A.

WAVEFORM B
This selects the waveform of the oscillator B.

WAVEFORM C
This selects the waveform of the oscillator C.

WAVEFORM D
This selects the waveform of the oscillator D.

PITCH A
This adjusts the pitch of the oscillator A.

PITCH B
This adjusts the pitch of the oscillator B, in half-steps.

PITCH C
This adjusts the pitch of the oscillator C, in half-steps.

PITCH D
This adjusts the pitch of the oscillator D, in half-steps.

TUNE B
This adjusts the pitch of the oscillator B, in semitone-steps (±100 cents).

TUNE C
This adjusts the pitch of the oscillator C, in semitone-steps (±100 cents).

TUNE D
This adjusts the pitch of the oscillator D, in semitone-steps (±100 cents).

FILTER
TYPE
This selects the filter type.

TOUCH-PAD
CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter.

FILTER ENVELOPE
ENVELOPE
This sets the amount of the modulation which the EG will use to affect the cutoff frequency.

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

AMPLIFIER ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

EFFECT

TYPE
This sets the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

MASTER
LEVEL
This sets the volume.



 

Kingston
Polyphonic Chip Synthesizer

This polyphonic synthesizer gadget is optimized for 8-bit game sounds. The timeless waveforms that still exemplify the sounds of a computer are provided in the oscillator section, and there are also “JUMP” and “RUN” functions that make those sounds even more bizarre. You can also use effects to additionally deform the sound.

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EDIT
WAVEFORM
This selects the waveform of the oscillator.

TRANSPOSE
This adjusts the pitch of the oscillator.

ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

Run!
TYPE
This selects the run type.

SPEED
This sets the performance speed of the run.

ON/OFF
This switches the run on/off.

Jump!
HEIGHT
This sets the height of jump.

ON/OFF
This switches the jump on/off.

EFFECT

TYPE
This sets the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

TipsThe parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

LEVEL
LEVEL
This sets the volume.



 

Marseille
Polyphonic PCM Synthesizer

With its workstation-like looks, this polyphonic synthesizer gadget offers a broad selection of standard keyboard sounds, brass, strings, and synth sounds. When you need a piano or electric piano, this gadget will deliver. There’s a “Chord” function that lets you produce chords of the scale you specify, making it simple to create a chord progression with no wrong notes.

Marseille.png


PROGRAMS
Tap a program name to select it. Using the category buttons on the left, the programs in each category can be displayed.

OUTPUT
LEVEL
This sets the volume.

ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

EFFECTS
FX SELECT
Select the effect to be applied.

EFFECT TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

TipsThe parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

CHORD
This turns the global chord function on or off. When this is turned on, chords along the specified scale can be played.



 

Miami
Monophonic Wobble Synthesizer

This gadget plays the bass sounds that are indispensable for today’s electronic music. It features an “X-MOD” oscillator that generates complex overtones and modulation, and a “CRUSH” filter that adds distinctive noise. “WOBBLE” modulation lets you shift the character to produce a wobble sound evocative of an evil monster, often heard in Brostep and Dubstep.

Miami.png


CARRIER
WAVE
This selects the waveform of the carrier oscillator.

PITCH
This adjusts the pitch produced by the carrier oscillator.

LEVEL
This sets the volume of the carrier oscillator.

SUB
This sets the volume of the sub oscillator.

X-MOD
WAVE
This selects the waveform of the cross-modulation oscillator.

DEPTH
This sets the depth of the cross-modulation.

LEVEL
This sets the volume of the cross-modulation oscillator.

TUNE
This adjusts the pitch produced by the cross-modulation oscillator.

FILTER
CUTOFF
This sets the cutoff frequency of the filter.

CRUSH
This adds a unique texture to the filter.

WOBBLE
This sets the modulation of the filter LFO.

SHAPE
This selects the LFO waveform.

RATE
This sets the LFO speed.

MASTER
STEREO
This adjusts the spread of the output orientation.

GLIDE
This sets the pitch glide speed.

OUTPUT
This sets the volume.



 

Phoenix
Polyphonic Analogue Synthesizer

This polyphonic synthesizer gadget offers classic, vintage design and sound. Its painstaking analog emulation provides analog sound with warmth and presence. This is an all-around synth that you can use for chordal backing, pad sounds, or anything else.

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OSCILLATORS
PITCH 1
This sets the pitch of oscillator 1.

PITCH 2
This sets the pitch of oscillator 2.

BALANCE
This adjusts the volume balance of oscillator 1 and oscillator 2.

WAVEFORM 1
This selects the waveform of the oscillator 1.

WAVEFORM 2
This selects the waveform of the oscillator 2.

PULSE WIDTH
This sets the width of pulse wave.

PORTA.
This sets the pitch glide speed.

OSC 2 DETUNE
This sets the detuning for oscillator 2.

FILTER
FREQUENCY
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENV AMT.
This sets the amount of the modulation produced by using the EG to modulate the cutoff frequency.

KBD AMT.
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

ENVELOPES
FILTER ENVELOPE, AMPLIFIER ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PITCH
BEND RANGE
This sets the pitch bend range.

BEND WHEEL
This sets the pitch bend.

VIBRATO RATE
This sets the vibrato speed.

VIBRATO WHEEL
This sets the depth of the vibrato.

MODULATION
LFO

WAVEFORM
This selects the LFO waveform.

RATE
This sets the LFO speed.

BPM
If this is On, the LFO speed will synchronize to the tempo of the song.

KEY
If this setting is On, the phase of the LFO will be reset at each note-on.

DEPTH
PULSE WIDTH
This sets the depth of the modulation produced by using LFO to modulate the pulse width.

FILTER
This sets the depth of the modulation produced by using LFO to modulate the cutoff frequency of the filter.

AMP
This sets the depth of the modulation produced by using LFO to modulate the volume.

DELAY
LEVEL
This sets the delay level.

TIME
This sets the delay time.

TONE
This sets the tonal character of the delay.

MASTER
LEVEL
This sets the volume.

DETUNE
This sets the amount of detuning when “UNISON” is turned on.

UNISON
This switches the unison on/off.



 

Wolfsburg
Hybrid Polyphonic Synthesizer

This gadget is a collection of distinctive analog synthesizer waveforms that have been resampled using digital technology. It provides two effect units and four modulation matrix systems, and is distinctive for a dynamic and powerful sound that matches its tasteful, black-themed panel layout.

Wolfsburg.png


OSCILLATOR 1, 2
WAVEFORM
This selects the waveform of the oscillator.

PITCH
This adjusts the pitch produced by the oscillator.

LEVEL
This sets the volume of the oscillator.

DETUNE
This sets the amount of detuning.

OSCILLATOR COMMON
VOICE MODE
This sets how note will be played.

NOISE
This sets the volume of the noise generator.

OUTPUT
This sets the volume.

PORTAMENTO
This sets the pitch glide speed.

FILTER
FILTER TYPE
This selects the filter type.

CUTOFF
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENVELOPE
This sets the amount of the modulation to which the EG will affect the cutoff frequency.

AMP
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

LOW FREQUENCY OSCILLATOR 1, 2
WAVEFORM
This selects the LFO waveform.

BPM SYNC
If this is On, the LFO speed will synchronize to the tempo of the song.

SPEED
This sets the LFO speed.

KEY SYNC
If this setting is On, the phase of the LFO will be reset at each note-on.

MODULATION ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

MODULATION MATRIX
SOURCE A, B, C, D
This sets the modulation source.

DESTINATION A, B, C, D
This sets the modulation destinations.

AMOUNT A, B, C, D
This sets the amount of the modulation.

EFFECT 1, EFFECT 2
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.



 

Salzburg
Premium Acoustic Piano

This is a premium acoustic piano gadget that features un-looped data carefully sampled from world renowned acoustic pianos. Your playing dynamics will shift between various levels of sampled data, responding to the velocity and expressing changes in velocity with a rich dynamic range.

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Equalizer
Low
Adjusts the level of the low-frequency range of the sound.

Mid
Adjusts the level of the mid-frequency range of the sound.

High
Adjusts the level of the high-frequency range of the sound.

Character
Damper / Layer Level
Adjusts how the sound resonates when you press the damper pedal, and adjusts the volume of the layered sound.

Release Time
Adjusts the release time of the sound.

Output
Level
This sets the volume.

Modulation Effect
Type
This selects the effect type.

Edit 1
The parameter that’s controlled by this knob will depend on the effect type.

Edit 2
The parameter that’s controlled by this knob will depend on the effect type.

Ambient Effect
Type
This selects the effect type.

Edit 1
The parameter that’s controlled by this knob will depend on the effect type.

Edit 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with Edit 1 and Edit 2 will differ depending on the effect selected with Type.



 

Montreal
Vintage Electric Piano

This is an electric piano gadget that realistically reproduces the distinctive tones of a sweetsounding vintage electric piano. Since multiple levels of velocity layers are provided, the sound is extremely realistic throughout the full dynamic range of soft to strong notes.

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TREMOLO
SPEED
Adjusts the speed of modulation when tremolo is on.

DEPTH
Adjusts the depth of modulation when tremolo is on.

OFF
Tremolo off

MONO
Tremolo on, monaural

STEREO
Tremolo on, stereo

HIGH, LOW
HIGH
Adjusts the level of the high-frequency range of the sound.

LOW
Adjusts the level of the low-frequency range of the sound.

MODULATION EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

AMBIENT EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ dependingon the effect selected with TYPE.

KEYOFF
KEYOFF NOISE/LAYER
This adds noise when key-off occurs. Otherwise, this switches the layer sound on/off with some sounds.

RELEASE TIME
Adjusts the release time of the sound.

AMPLIFIER
ON
the amp simulation effect on/off.

DRIVE
Adjusts the amount of drive for the amp.

OUTPUT
LEVEL
This sets the volume.



 

Alexandria
Legendry Vintage Organ

This is a powerful organ gadget that samples a range of sound variations from a traditional vintage organ. With a powerful rotary speaker, vibrato and chorus that adds character to the sound, and an overdrive circuit that generates warm distortion, it’s easy to produce realistic organ sounds.

Alexandria.png


ROTATION
STOP
Stops the rotation of the rotor.

SLOW
Slows the rotation of the rotor.

FAST
Speeds up the rotation of the rotor.

VIBRATO & CHORUS
ON/OFF
Switches the vibrato/chorus effect on/off.

V-C
Selects a preset for the vibrato/chorus effect.
(V-1, V-2, and V-3 are vibrato; C-1, C-2, and C-3 are chorus.)

MODULATION EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

AMBIENT EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

DRIVE
Adjust the amount of overdrive distortion.

OUTPUT
This sets the volume.



 

Firenze
Funky Electric Keyboard

This is a clav gadget that reproduces the sharp attack and percussive sound of a classic instrument. Since the pickup and filter can be controlled by individual switches, you can easily try out different changes in the sound. Additional parameters indispensable to the clav sound have been carefully selected, such as a mute slider that adjusts to the sound.

Firenze.png


FILTER

PRESENCE
Sets the tonal character of the high-frequency range.

TREBLE
Sets the high-frequency range of the sound.

MEDIUM
Sets the mid-frequency range of the sound.

BASS
Sets the low-frequency range of the sound.

* If all of these are OFF, no sound is output.

PICKUP
C/D、A/B
A variety of sounds can be produced by using different pickup (and filter) combinations.

MUTE
Adjust the amount of muting.

KEYOFF NOISE
Adjusts the amount of authentic key noise added when the note is released.

MODULATION EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

AMBIENT EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

OUTPUT LEVEL
This sets the volume.



 

Glasgow
Superior PCM Synthesizer

The gadget lets you produce a wide range of sounds including strings, brass, and synth. It provides a crisp, high-quality sound, with each tone displaying a set of the most suitable parameters for editing, so you can easily and efficiently attain the sound you desire.

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CHARACTER
EDIT 1...4
These four knobs provide control of additional sound parameters. The actual parameter being controlled will appear in the “scribble-strips” above each knob.

* The character parameters will differ depending on the waveform that’s selected in WAVE VARIATIONS.

OUTPUT
LEVEL
This sets the volume.

ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

MODULATION EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

AMBIENT EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.



 

Darwin
Digital PCM Synthesizer

This is a digital PCM synthesizer Gadget powered by KORG iM1. It has special sounds that cloud only be produced by the legendary M1 that defined an era. There are enormous sound programs that will cover your needs for a huge variety of music genres. “Smart Sound Browser” and “Easy Edit” enables the most efficient way to search and make fine adjustments to the sound.

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OSC BALANCE
This sets the volume of the oscillator.

CUTOFF
This adjusts the cutoff frequency of the VDF.

RESONANCE
This sets the resonance of the VDF.

EG INT
This sets the intensity with which the VDF cutoff is changed by the EG.

ATTACK TIME
This sets the attack time for the VDF and VDA.

DECAY TIME
This sets the decay time for the VDF and VDA.

RELEASE TIME
This sets the release time for the VDF and VDA. This sets the number of times the delay sound is repeated.

FX1 DRY/WET
Adjusts the balance of the processed sound and the direct sound.

FX2 DRY/WET
Adjusts the balance of the processed sound and the direct sound.

OUTPUT
This sets the volume.



 

Kamata
Wave Table Synthesizer

This synthesizer gadget emulates 80s video games by using Wavetable synthesis as a sound source. Based on the NAMCO CUSTOM30 sound generator in their world famous 1980’s arcade games, the sound team of BANDAI NAMCO Studios have reimagined the most popular game sounds and put them into a dedicated Gadget called Kamata. By using the carefully selected parameters for each of the 32 x 4 bit samples in the wavetable, you can design music and sounds that are both nostalgic and new

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MASTER VOLUME
This sets the volume.

VALUE
This sets the value of the selected parameter.

PAGE SELECT
This accesses the page.

WAVE BANK
This selects the wavetable.

DETUNE
This sets the amount of detuning.

NOISE
This sets the volume of the noise generator.

AMP ENV
AT (Attack Time)
This sets the amount of time from note-on until the attack level is reached.

DT (Decay Time)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SL (Sustain Level)
This sets the sustain level.

RT (Release Time)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PITCH ENV
AT (Attack Time)
This sets the amount of time from note-on until the attack level is reached.

DT (Decay Time)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

RT (Release Time)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

SL (Start Level)
This sets the start level.

AL (Attack Level)
This sets the amount of time from note-on until the attack level is reached.

SL (Sustain Level)
This sets the sustain level.

RL (Release Level)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

DELAY
TIME
This sets the delay time.

LEVEL
This sets the delay level.

COUNT
This sets the number of times the delay sound is repeated.

REVERB
TIME
This sets the reverb time.

LEVEL
This sets the reverb level.

LFO1-AMP
WAVE
This selects the waveform of the LFO1.

DEPT (Depth)
This sets the depth of the LFO1.

DELT (Delay Time)
This sets the time from note-on until the LFO1 starts.

RATE
This sets the LFO1 speed.

LFO2-PITCH
WAVE
This selects the waveform of the LFO2.

DEPT (Depth)
This sets the depth of the LFO2.

DELT (Delay Time)
This sets the time from note-on until the LFO2.

RATE
This sets the LFO2 speed.

PORTAMENTO
MODE
This switches the mode between Poly/Mono.

TIME
This sets the portamento time.

CONTROL
MOD-WHEEL
This sets the pitch and amp to be controlled with a modulation wheel.

PITCHBEND
This sets the change range for the pitch bend.



 

Madrid
Dynamic Bass Machine

Madrid is a powerful bass gadget that will add a lively groove to your music. Featuring acoustic bass, electric bass, six types of bass amp and two groups of builtin effects, you can change the sound character easily and substantially. From a strong, aggressive bass to a thick, plump bass, this gadget not only delivers powerful low tone but also realistically reproduce differences in most playing styles.

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SOUND
This selects the preset sound.

MASTER
This sets the volume.

EFFEC1, 2
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

PRE::POST
This switches between a pre/post effect.

TONE
BASS
Adjusts the level of the low-frequency range of the sound.

MIDDLE
Adjusts the level of the mid-frequency range of the sound.

TREBLE
Adjusts the level of the high-frequency range of the sound.

GAIN
This adjusts the gain for the amp.

AMP TYPE
This selects one of the six amp types.

ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.



 

Lexington
Duophonic Analogue Synthesizer

The legendary analog synthesiser, ARP ODYSSEY is now available as a Gadget. It's main characteristics are 3 different filters originating from the different dates of production, and a sharp, edgy sound that comes from the drive circuitry. Furthermore, through use of the 6 powerful effects, it's not just a faithful reproduction, a whole variety of evolved sounds are possible.

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VOICES
UNISON
Specifies the number of voices used when playing in unison mode. The maximum number of voices depends on the VOICES (total voice) setting. Unison simultaneously sounds the number of voices that you specify here, with the output of VCO1 and VCO2 mixed.

VOICES
Specifies the maximum number of notes that can played if VOICE ASSIGN is set to "POLY" or when UNISON is used.

PORTAMENTO
Specifies how the portamento effect is applied (the time over which the pitch change occurs). If the slider is in the “MIN” position, no portamento effect is applied. As you move the slider toward the “MAX” position, the pitch change occurs over a longer time.

MODE switch
Selects whether portamento is enabled when you use the TRANSPOSE lever. Use a fine-tipped pen or similar object to press this switch.

TRANSPOSE
Switches the range of pitches assigned to the keyboard in steps of two octaves.

UNISON DETUNE
Specifies the amount of detuning for the simultaneously-played voices if UNISON is set to a number greater than one and you are playing ARP ODYSSEi in unison mode. If UNISON is set to "1" (a single voice), this slider does nothing.

UNISON SPREAD
Spreads the output of the voices between the L and R channels if UNISON is set to a number greater than one and you are playing ARP ODYSSEi in unison mode. If the UNISON setting is an odd number, one voice is panned to the center.

PROPORTIONAL PITCH CONTROL
Depending on the strength of the press, the program will produce vibratos and musical intervals.

VOICE ASSIGN switch
Set the voice allocation method.

MONO : produces monophonic sounds.
LEGATO : produces monophonic sounds. Does not retrigger EG.
DUO : produces duophonic sounds.
POLY : produces polyphonic sounds.

VCO-1
FM depth slider
Adjusts the depth of FM (Frequency Modulation) when it is is applied.

PULSE WIDTH (WIDTH)
Adjusts the pulse width.

PULSE WIDTH (MOD)
Adjusts the depth of pulse width modulation.

FREQUENCY COARSE
Rough pitch adjustment.
This adjustment covers the range of 20 Hz–2 kHz if the keyboard switch is on, or 0.2 Hz–20 Hz if the keyboard switch is off.

FREQUENCY FINE
Fine pitch adjustment.

FM LFO switch
Selects the waveform of the modulation applied by the LFO.

FM SOURCE switch
Selects either Sample and Hold or the envelope generator (ADSR) as the modulation source.

PULSE WIDTH MOD スイッチ
Selects the source that will apply pulse width modulation.

KYBD switch (AUDIO KYBD ON / LF KYBD OFF)
If this is set to AUDIO KYBD ON, VCO-1 is connected to the keyboard CV, and will produce pitches in the conventional way. If this is set to AUDIO KYBD OFF, VCO-1 is disconnected from the keyboard CV, and will oscillate as an LFO. You can use this signal to modulate VCO-2 or as an audio source for sound effects.

VCO-2
FM depth slider
Adjusts the depth of FM (Frequency Modulation) when it is is applied.

PULSE WIDTH (WIDTH)
Adjusts the pulse width.

PULSE WIDTH (MOD)
Adjusts the depth of pulse width modulation.

FREQUENCY COARSE
Rough pitch adjustment. This is adjustable in the range of 20 Hz – 2 kHz. If the SYNC switch is on, this changes the overtone structure rather than the pitch.

FREQUENCY FINE
Fine pitch adjustment. If the SYNC switch is on, this changes the overtone structure rather than the pitch.

FM LFO switch
Selects either modulation by an LFO sine wave or modulation by the S/H MIXER (sample and hold mixer).

FM SOURCE switch
Selects either Sample and Hold or the envelope generator (ADSR) as the modulation source.

PULSE WIDTH MOD switch
Selects the source that will apply pulse width modulation.

SYNC
Turns sync on/off.
If this is off, duophonic performance is possible. If this is on, VCO-2 is synchronized with the frequency (pitch) of VCO-1.

S/H MIXER
S/H INPUT (VCO-1)
Adjusts the level at which the waveform output from VCO-1 is input to the S/H MIXER.

S/H INPUT (NOISE、VCO-2)
Adjusts the level at which noise or the square wave output from VCO-2 is input to the S/H MIXER.

S/H OUTPUT LAG
Smooths the changes of the S/H output voltage.
As you move the slider toward the “MAX” position, a greater amount of the smoothing will be applied.

S/H INPUT switch (VCO-1)
Selects the source (VCO-1 waveform) that is input to the S/H MIXER.

S/H INPUT switch (NOISE、VCO-2)
Selects the source (noise or VCO-2 square wave) that is input to the S/ H MIXER.

S/H TRIGGER switch
Selects the signal (either the output of the LFO or the output of the keyboard) that is used as the trigger when detecting an audio signal sent from the S/H MIXER.

LFO
LFO FREQ
Adjusts the LFO speed. Raising the slider makes the speed faster.

LFO KEY SYNC
If this is ON, the LFO starts each time you play a key, and an independent LFO operates for each note. If this is OFF, the LFO that was started by the first-played note is also applied to subsequentlyplayed notes.

LFO TEMPO SYNC
Turn this on/off to specify whether the LFO is synchronized to the tempo (MIDI clock).

AUDIO MIXER/VCF/HPF/VCA

NOISE/RING MOD
Adjusts the level of the audio signal that is sent from the noise generator or the ring modulator.

VCO-1
Adjusts the level of the audio signal that is sent from VCO-1.

VCO-2
Adjusts the level of the audio signal that is sent from VCO-2.

FILTER MOD (KYBD CV、S/H MIXER)
Selects the source that will control the filter. If you select KYBD CV (keyboard control voltage), the signal normally used to convey key information from the keyboard to the VCO can be used to open and close the filter. For example, you can produce an effect in which the filter opens more for higher notes. If you select S/H MIXER, the signal sent from the S/H MIXER will open and close the filter.

FILTER MOD (S/H、LFO)
Selects the source that will control the filter. You can produce a wah effect by using the LFO to modulate the filter.

FILTER MOD (ADSR、AR)

VELOCITY (VEL VCA、VCF)
Adjust filter by velocity or the amp’s change in tone (VCA, VCF).

VCA LEVEL
Adjusts the level at which the envelope generators (AR and ADSR) control the VCA. In practical terms, this is the master volume.

VCF FREQ
Adjusts how the LPF (Low Pass Filter) is applied.
If the slider is in the lowest position (16 Hz), the high-frequency range of the input signal is cut, producing a soft sound. Raising the slider makes the sound brighter.

VCF RESONANCE
Adjusts the resonance. This modifies the tonal character by boosting the overtones in the region of the cutoff point. As you raise the slider, self-oscillation (a state in which the VCF itself produces a sound) will occur starting at a certain point.

HPF CUTOFF FREQ
Adjusts how the HPF (High Pass Filter) is applied. As you raise the slider, the low-frequency region of the input signal is cut, producing a thinner sound. This is useful when you are simulating the sound of certain instruments.

DRIVE GAIN
Adjust VCA distortion.

FILTER switch (NOISE、RING MOD)
Selects either noise or ring modulator.

FILTER switch (VCO-1)
Selects the VCO-1 waveform (sawtooth or square). If you select square wave, you can raise the PULSE WIDTH slider to change from a square wave to a pulse wave.

FILTER switch (VCO-2)
Selects the VCO-2 waveform (sawtooth or square). If you select square wave, you can raise the PULSE WIDTH slider to change from a square wave to a pulse wave.

FILTER MOD SOURCE switch (KYBD CV、S/H MIXER)
Selects the source that will control the filter.

If you select KYBD CV (keyboard control voltage), the signal normally used to convey key information from the keyboard to the VCO can be used to open and close the filter. For example, you can produce an effect in which the filter opens more for higher notes.

If you select S/H MIXER, the signal sent from the S/H MIXER will open and close the filter.

FILTER MOD SOURCE switch (S/H、LFO)
Selects the source that will control the filter. You can produce a wah effect by using the LFO to modulate the filter.

FILTER MOD SOURCE switch (ADSR、AR)
Selects the envelope generator that will control the filter.

VEL switch (VCA、VCF)
Set the depth in VCA / VCF change by velocity
(Enables only when a MIDI keyboard is connected.)

VCA EG switch (AR、ADSR)
Selects the envelope generator that will control the VCA.

VCF TYPE スイッチ
Selects the type of VCF.

I : ODYSSEY Rev.1
II : ODYSSEY Rev.2
III : ODYSSEY Rev.3

ENVELOPE GENERATOR
ADSR EG - ATTACK
Adjusts the attack time of the ADSR envelope generator.

ADSR EG - DECAY
Adjusts the decay time of the ADSR envelope generator.

ADSR EG - SUSTAIN
Adjusts the sustain time of the ADSR envelope generator.

ADSR EG - RELEASE
Adjusts the release time of the ADSR envelope generator.

AR EG - ATTACK
Adjusts the attack time of the AR envelope generator.

AR EG - RELEASE
Adjusts the release time of the AR envelope generator.

ADSR trigger source switch
Selects the trigger that is sent to the ADSR envelope generator.

If KYBD GATE is selected, the trigger sent from the keyboard is sent to the EG. If LFO REPEAT is selected, the pulse wave of the LFO is sent to the EG, and the EG repeats the envelope cyclically at the rate of the LFO FREQ.

ADSR repeat switch
This is effective if LFO REPEAT is selected by the ADSR or by the AR trigger source switch.

If KYBD REPEAT is selected, the LFO trigger sent repeatedly to the EG continues repeating only as long as the key is pressed.
If AUTO REPEAT is selected, it continues repeating regardless of the keyboard on/off status.

AR trigger source switch
Selects the trigger that is sent to the AR envelope generator. This has the same function as the ADSR trigger switch.

NOISE GENERATOR switch
Selects white noise or pink noise.

EFFECT
CHORUS/FLANGER/ENSEMBLE
This effect gives the sound spaciousness and a sense of vibrato by combining the original sound with a signal whose pitch is modulated.

ON/OFF
To use this effect, turn this ON.

TYPE
Selects the effect type.

DEPTH
Adjusts the depth of the effect.

FREQ
Adjusts the speed of modulation.

MIX
Adjusts the balance between the effect sound and direct sound.

DELAY
This effect delays the sound in time.

ON/OFF
To use this effect, turn this ON.

TEMPO SYNC
Turn this on/off to specify whether the delay time is synchronized to tempo.

FEED BACK
Adjusts the amount of feedback.

TIME LEFT
Adjusts the delay time of the left channel.

TIME RIGHT
Adjusts the delay time of the right channel.

LEVEL
Adjusts the level of the effect sound.

REVERB
This effect simulates reverberation and acoustic space.

ON/OFF
To use this effect, turn this ON.

TYPE
Selects the effect type.

TIME
Adjusts the reverb time.

TONE
Adjusts the brightness of the reverb sound.

MIX
Adjusts the balance between the effect sound and direct sound.

DISTORTION
This is a distortion effect that lets you choose from three types of distortion.

ON/OFF
To use this effect, turn this ON.

TYPE
Selects the effect type.

DRIVE
Adjusts the amount of distortion by adjusting the input level of the distortion circuit.

TONE
Adjusts the tone.

MIX
Adjusts the balance between the effect sound and direct sound.

PHASER
This effect modulates the sound by combining the original sound with a sound whose phase changes periodically.

ON/OFF
To use this effect, turn this ON.

MANUAL
Adjusts the frequency at which the effect is applied.

DEPTH
Adjusts the depth of the effect.

FREQ
Adjusts the speed of modulation.

RESONANCE
Adjusts the amount of resonance.

EQ
This boosts or cuts the levels of the low, mid, and high-frequency region.

ON/OFF
To use this effect, turn this ON.

LO GAIN
Adjusts the low-frequency region.

MID FREQ
Specifies the frequency of the mid-frequency region.

MID GAIN
Adjusts the mid-frequency region.

HI GAIN
Adjusts the high-frequency region.

MASTER
This is the master volume slider; use this to set the output level.

LEVEL
Adjusts the output level.

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