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Synth gadgets

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Berlin
Monophonic Synchronized Synthesizer

This is a synthesizer gadget with a classical design that’s optimized for lead sounds. It provides a sync oscillator that can generate complex overtones, delivering diverse sounds with a sense of modulation.

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PORTA.
This sets the pitch glide speed.

BEND
This sets the pitch bend.

VIB.
This sets the depth of the vibrato.

VOLTAGE CONTROLLED OSCILLATOR
PITCH
This adjusts the pitch that produced by the oscillator.

WAVEFORM
This selects the waveform of the oscillator.

BALANCE
This adjusts the pitch balance of the tone.

MOD
This sets the depth of the modulation for the oscillator.

TONE
This adjusts the tone of the oscillator.

EG/LFO
This selects EG or LFO as the sync modulation source.

ENVELOPE GENERATOR 
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time until the level becomes 0 after the attack level is reached.

LOW FREQUENCY OSCILLATOR
SHAPE
This selects the LFO waveform.

FREQ
This sets the LFO frequency.

KEY SYNC
If this setting is On, the LFO will be reset at each note-on.

TEMPO SYNC
If this is On, the LFO frequency will synchronize to the tempo of the song.

VOLTAGE CONTROLLED LOW PASS FILTER
FREQ.
This sets the cutoff frequency of the filter.

RESO.
This sets the resonance of the filter.

EG
This sets the depth of the modulation where the EG1 will affect the cutoff frequency.

LFO
This sets the depth of the modulation where the LFO will affect the cutoff frequency.

KBD
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

VOLTAGE CONTROLLED AMPLIFIER 
A (Attack)
This sets the amount of time from note-on until the attack level is reached.

D (Decay)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

S (Sustain)
This sets the sustain level.

R (Release)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

LEGATO
This switches the legato on/off.

DELAY

TIME
This sets the delay time,

LEVEL
This sets the delay level.

SPREAD
This sets the width for how far the delay sound will be panned.

MASTER
LEVEL
This sets the output volume.


 

Dublin
Monophonic Semi-Modular Synthesizer

This is a semi-modular synthesizer gadget with classic, vintage looks. It’s especially good for deep bass sounds. In addition to being capable of straightforward yet deep subtractive synthesis with a plain waveform and filter, it also lets you enjoy a wide range of varying tones by changing the patching.

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VCO 1

WAVEFORM
This selects the waveform of oscillator 1.

SHAPE
This sets the pulse width when the WAVEFORM is set to Pulse.

SCALE
This adjusts the pitch produced by oscillator 1, in octaves.

VCO 2 
WAVEFORM
This selects the waveform of oscillator 2.

TUNE
This adjusts the pitch produced by the carrier oscillator 2.

SCALE
This sets the pitch produced by the oscillator 2, in octaves.

MIXER
VCO 1
This sets the volume of oscillator 1.

VCO 2
This sets the volume of oscillator 2.

NOISE
This sets the volume of the noise generator.

VCF
CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter.

KBD AMT
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

VCA 
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time it will take for the level to change from the attack level to the sustain level.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

KEYBOARD

PORTA
This sets the pitch glide speed.

LEGATO
When this is turned on, each note is played legato when sliding along the keyboard.

MASTER

VOLUME
This sets the volume.

DRIVE
This sets the amount of the output drive.

TONE
This adjusts the tone.

MG 1, MG 2

MG OUT
Tap and drag to connect patch cables and select the modulation destination for the MG (modulation generator).

AMOUNT
This sets the amount of modulation for the MG (Modulation Generator).

WAVEFORM
This selects the waveform of the MG (Modulation Generator).

KEY
If this setting is On, the waveform will be reset at each note-on.

FREQ
This sets the frequency of the waveform.

BPM
If this is On, the frequency of the waveform will synchronize to the tempo of the song.

ENVELOPE GENERATOR

EG OUT
Tap and drag to connect patch cables and select the modulation destination for the EG.

AMOUNT
This sets the amount of modulation for the EG.

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PATCHBAY INPUTS

This sets the modulation destinations for MG1, MG2 and the EG.
Any of the following parameters can be set as the modulation destination.

・VCO 1 SHAPE

・VCO 1 & VCO 2 PITCH

・VCO 2 PITCH

・VCO 1 LEVEL

・VCO 2 LEVEL

・NOISE LEVEL

・VCF CUTOFF

・VCA GAIN

・MG1 FREQ

・MG2 FREQ


 

Brussels
Monophonic Anthem Synthesizer

This synthesizer gadget has a simple and carefully considered parameter structure with an intuitive user interface. The thick unison tones that emanate from this futuristic design will give you the lead sounds that you need for any type of electronic music.

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PERFORMER

PUMP
This sets the depth of the pumping effect.

REPEAT
This sets the depth of the repeat effect.

GENERATOR

BOTTOM
This sets the volume of the sub oscillator.

GLIDE
This sets the pitch glide speed.

DIFFUSE
This sets the spread of the sound.

FILTER
This sets the cutoff frequency of the filter.

TWIST
This sets the modulation depth for the oscillator.

OUTPUT
LEVEL
This sets the overall volume.

REVERB
TONE
This sets the reverberation tone.

LEVEL
This sets the reverberation level.


 

ChiangMai
Variable Phase Modulation Synthesizer

This is a polyphonic synthesizer gadget that features VPM (Variable Phase Modulation) synthesis. With a subdued gold body, this gadget is particularly good at sparkling metallic bell sounds.

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OSCILLATORS (1, 2)
LEVEL
This sets the volume of the oscillator.

WAVEFORM
This selects the waveform of the oscillator.

PITCH
This adjusts the pitch produced by the oscillator.

HARMONICS
This sets the frequency of the VPM (Variable Phase Modulation) modulator as a harmonic multiple of oscillator.

DEPTH
This sets the depth of VPM.

ENV
This sets the amount of modulation which the EG will use to affect the depth of the VPM.

FILTER
FREQUENCY
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENV AMT
This sets the amount of the modulation which the EG will use to affect the cutoff frequency.

KBD AMT
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

ENVELOPES (FILTER, AMPLIFIER)
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

CHORUS
SPEED
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

DEPTH
This sets the depth of the effect.

DELAY
TIME
This sets the delay time

LEVEL
This sets the delay level.

OUTPUT
LEVEL
This sets the volume.


 

Chicago
Tube Bass Machine

This is a straightforward acid house bass gadget with a shiny silver metal body. It featuresa “Bite” filter that covers the range from classic, “sticky-sounding” synth bass to intensely distorted aggressive sounds. There’s a built-in arpeggiator and multi-effect, so your creations will have plenty of variety.

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OSCILLATOR WAVE
This selects the waveform of the oscillator.

GLIDE
This sets the pitch glide speed.

ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

AMPLIFIER ENV/GATE
This selects the envelope source that will produce change in the volume.

LEVEL
This sets the volume.

ARPEGGIATOR

ON
This switches the arpeggiator on/off.

RANGE
This sets the range of octaves where the arpeggio will be played.

MODE
This selects the arpeggio type.

SPEED
This sets the performance speed of the arpeggiator.

FILTER CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter. This sets the amount of modulation which the EG will use to affect the cutoff frequency.

BITE
This sets the amount of drive for the filter.

GNAW
This gives a unique frequency change to the filter input, changing it to an aggressive sound.

EFFECT

TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.


 

Helsinki
Polyphonic Ambient Synthesizer

This is a pad sound gadget that’s easy to use for genres such as Ambient or Chillwave. The subtle yet deep sound played through lo-fi and reverb effects, conveyed through the floating interface, creates an atmosphere that is both nostalgic and futuristic.

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LOFI
FREQ
This sets the roughness of the sound and the frequency of the digital meter.

MIX
This sets the amount of the effect sound mixed with the dry sound.

REVERB
TIME
This sets the reverberation time.

LEVEL
This sets the reverberation level.

OUTPUT
LEVEL
This sets the volume.

GENERATORS
WAVE
This selects the waveform of the oscillator.

LOW
This sets the low range level of the oscillator.

HI
This sets the high range level of the oscillator.

HIGHER
This sets the higher range level of the oscillator.

NOISE
This sets the volume of the noise generator.

FILTER
TYPE
This selects the filter type.

FREQ
This sets the cutoff frequency of the filter.

RESO
This sets the resonance of the filter.

ENVELOPE
A
This sets the amount of time from note-on until the attack level is reached.

D
This sets the amount of time from when the attack level is reached until the sustain level is reached.

S
This sets the sustain level.

R
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.


 

Kiev
Advanced Spatial Digital Synthesizer

The yellow body of this synthesizer gadget projects the impression of a secret weapon hidden in an industrial zone. It features “vector synthesis” using four oscillators that generate organic, spacey sounds. Use the touchpad to intuitively control the mysterious “warp” sound that seems to contort space itself.

Kiev.png


OSC. MORPHER
TOUCH-PAD
This adjusts the volume balance of oscillator A, B, C, and D.

A/B DEPTH
This sets the amount that the volume balance of oscillators A and B are changed.

A/B SPEED
This sets the speed at which the volume balance of oscillators A and B are changed

C/D DEPTH
This sets the amount that the volume balance of oscillators C and D are changed.

C/D SPEED
This sets the speed at which the volume balance of oscillators C and D are changed.

OSCILLATOR
WAVEFORM A
This selects the waveform of the oscillator A.

WAVEFORM B
This selects the waveform of the oscillator B.

WAVEFORM C
This selects the waveform of the oscillator C.

WAVEFORM D
This selects the waveform of the oscillator D.

PITCH A
This adjusts the pitch of the oscillator A.

PITCH B
This adjusts the pitch of the oscillator B, in half-steps.

PITCH C
This adjusts the pitch of the oscillator C, in half-steps.

PITCH D
This adjusts the pitch of the oscillator D, in half-steps.

TUNE B
This adjusts the pitch of the oscillator B, in semitone-steps (±100 cents).

TUNE C
This adjusts the pitch of the oscillator C, in semitone-steps (±100 cents).

TUNE D
This adjusts the pitch of the oscillator D, in semitone-steps (±100 cents).

FILTER
TYPE
This selects the filter type.

TOUCH-PAD
CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter.

FILTER ENVELOPE
ENVELOPE
This sets the amount of the modulation which the EG will use to affect the cutoff frequency.

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

AMPLIFIER ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

EFFECT
TYPE
This sets the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

MASTER
LEVEL
This sets the volume.


 

Kingston
Polyphonic Chip Synthesizer

This polyphonic synthesizer gadget is optimized for 8-bit game sounds. The timeless waveforms that still exemplify the sounds of a computer are provided in the oscillator section, and there are also “JUMP” and “RUN” functions that make those sounds even more bizarre. You can also use effects to additionally deform the sound.

Kingston.png


EDIT
WAVEFORM
This selects the waveform of the oscillator.

TRANSPOSE
This adjusts the pitch of the oscillator.

ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

Run!
TYPE
This selects the run type.

SPEED
This sets the performance speed of the run.

ON/OFF
This switches the run on/off.

Jump!
HEIGHT
This sets the height of jump.

ON/OFF
This switches the jump on/off.

EFFECT

TYPE
This sets the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

TipsThe parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

LEVEL
LEVEL
This sets the volume.


 

Marseille
Polyphonic PCM Synthesizer

With its workstation-like looks, this polyphonic synthesizer gadget offers a broad selection of standard keyboard sounds, brass, strings, and synth sounds. When you need a piano or electric piano, this gadget will deliver. There’s a “Chord” function that lets you produce chords of the scale you specify, making it simple to create a chord progression with no wrong notes.

Marseille.png


PROGRAMS
Tap a program name to select it. Using the category buttons on the left, the programs in each category can be displayed.

OUTPUT
LEVEL
This sets the volume.

ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

EFFECTS
FX SELECT
Select the effect to be applied.

EFFECT TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

TipsThe parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

CHORD
This turns the global chord function on or off. When this is turned on, chords along the specified scale can be played.


 

Miami
Monophonic Wobble Synthesizer

This gadget plays the bass sounds that are indispensable for today’s electronic music. It features an “X-MOD” oscillator that generates complex overtones and modulation, and a “CRUSH” filter that adds distinctive noise. “WOBBLE” modulation lets you shift the character to produce a wobble sound evocative of an evil monster, often heard in Brostep and Dubstep.

Miami.png


CARRIER
WAVE
This selects the waveform of the carrier oscillator.

PITCH
This adjusts the pitch produced by the carrier oscillator.

LEVEL
This sets the volume of the carrier oscillator.

SUB
This sets the volume of the sub oscillator.

X-MOD
WAVE
This selects the waveform of the cross-modulation oscillator.

DEPTH
This sets the depth of the cross-modulation.

LEVEL
This sets the volume of the cross-modulation oscillator.

TUNE
This adjusts the pitch produced by the cross-modulation oscillator.

FILTER
CUTOFF
This sets the cutoff frequency of the filter.

CRUSH
This adds a unique texture to the filter.

WOBBLE
This sets the modulation of the filter LFO.

SHAPE
This selects the LFO waveform.

RATE
This sets the LFO speed.

MASTER
STEREO
This adjusts the spread of the output orientation.

GLIDE
This sets the pitch glide speed.

OUTPUT
This sets the volume.


 

Phoenix
Polyphonic Analogue Synthesizer

This polyphonic synthesizer gadget offers classic, vintage design and sound. Its painstaking analog emulation provides analog sound with warmth and presence. This is an all-around synth that you can use for chordal backing, pad sounds, or anything else.

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OSCILLATORS
PITCH 1
This sets the pitch of oscillator 1.

PITCH 2
This sets the pitch of oscillator 2.

BALANCE
This adjusts the volume balance of oscillator 1 and oscillator 2.

WAVEFORM 1
This selects the waveform of the oscillator 1.

WAVEFORM 2
This selects the waveform of the oscillator 2.

PULSE WIDTH
This sets the width of pulse wave.

PORTA.
This sets the pitch glide speed.

OSC 2 DETUNE
This sets the detuning for oscillator 2.

FILTER
FREQUENCY
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENV AMT.
This sets the amount of the modulation produced by using the EG to modulate the cutoff frequency.

KBD AMT.
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

ENVELOPES
FILTER ENVELOPE, AMPLIFIER ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PITCH
BEND RANGE
This sets the pitch bend range.

BEND WHEEL
This sets the pitch bend.

VIBRATO RATE
This sets the vibrato speed.

VIBRATO WHEEL
This sets the depth of the vibrato.

MODULATION
LFO

WAVEFORM
This selects the LFO waveform.

RATE
This sets the LFO speed.

BPM
If this is On, the LFO speed will synchronize to the tempo of the song.

KEY
If this setting is On, the phase of the LFO will be reset at each note-on.

DEPTH
PULSE WIDTH
This sets the depth of the modulation produced by using LFO to modulate the pulse width.

FILTER
This sets the depth of the modulation produced by using LFO to modulate the cutoff frequency of the filter.

AMP
This sets the depth of the modulation produced by using LFO to modulate the volume.

DELAY
LEVEL
This sets the delay level.

TIME
This sets the delay time.

TONE
This sets the tonal character of the delay.

MASTER
LEVEL
This sets the volume.

DETUNE
This sets the amount of detuning when “UNISON” is turned on.

UNISON
This switches the unison on/off.


 

Wolfsburg
Hybrid Polyphonic Synthesizer

This gadget is a collection of distinctive analog synthesizer waveforms that have been resampled using digital technology. It provides two effect units and four modulation matrix systems, and is distinctive for a dynamic and powerful sound that matches its tasteful, black-themed panel layout.

Wolfsburg.png


OSCILLATOR 1, 2
WAVEFORM
This selects the waveform of the oscillator.

PITCH
This adjusts the pitch produced by the oscillator.

LEVEL
This sets the volume of the oscillator.

DETUNE
This sets the amount of detuning.

OSCILLATOR COMMON
VOICE MODE
This sets how note will be played.

NOISE
This sets the volume of the noise generator.

OUTPUT
This sets the volume.

PORTAMENTO
This sets the pitch glide speed.

FILTER
FILTER TYPE
This selects the filter type.

CUTOFF
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENVELOPE
This sets the amount of the modulation to which the EG will affect the cutoff frequency.

AMP
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

LOW FREQUENCY OSCILLATOR 1, 2
WAVEFORM
This selects the LFO waveform.

BPM SYNC
If this is On, the LFO speed will synchronize to the tempo of the song.

SPEED
This sets the LFO speed.

KEY SYNC
If this setting is On, the phase of the LFO will be reset at each note-on.

MODULATION ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

MODULATION MATRIX
SOURCE A, B, C, D
This sets the modulation source.

DESTINATION A, B, C, D
This sets the modulation destinations.

AMOUNT A, B, C, D
This sets the amount of the modulation.

EFFECT 1, EFFECT 2
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.


 

Salzburg
Premium Acoustic Piano

This is a premium acoustic piano gadget that features un-looped data carefully sampled from world renowned acoustic pianos. Your playing dynamics will shift between various levels of sampled data, responding to the velocity and expressing changes in velocity with a rich dynamic range.

Sulzburg.png


Equalizer
Low
Adjusts the level of the low-frequency range of the sound.

Mid
Adjusts the level of the mid-frequency range of the sound.

High
Adjusts the level of the high-frequency range of the sound.

Character
Damper / Layer Level
Adjusts how the sound resonates when you press the damper pedal, and adjusts the volume of the layered sound.

Release Time
Adjusts the release time of the sound.

Output
Level
This sets the volume.

Modulation Effect
Type
This selects the effect type.

Edit 1
The parameter that’s controlled by this knob will depend on the effect type.

Edit 2
The parameter that’s controlled by this knob will depend on the effect type.

Ambient Effect
Type
This selects the effect type.

Edit 1
The parameter that’s controlled by this knob will depend on the effect type.

Edit 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with Edit 1 and Edit 2 will differ depending on the effect selected with Type.


 

Montreal
Vintage Electric Piano

This is an electric piano gadget that realistically reproduces the distinctive tones of a sweetsounding vintage electric piano. Since multiple levels of velocity layers are provided, the sound is extremely realistic throughout the full dynamic range of soft to strong notes.

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TREMOLO
SPEED
Adjusts the speed of modulation when tremolo is on.

DEPTH
Adjusts the depth of modulation when tremolo is on.

OFF
Tremolo off

MONO
Tremolo on, monaural

STEREO
Tremolo on, stereo

HIGH, LOW
HIGH
Adjusts the level of the high-frequency range of the sound.

LOW
Adjusts the level of the low-frequency range of the sound.

MODULATION EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

AMBIENT EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ dependingon the effect selected with TYPE.

KEYOFF
KEYOFF NOISE/LAYER
This adds noise when key-off occurs. Otherwise, this switches the layer sound on/off with some sounds.

RELEASE TIME
Adjusts the release time of the sound.

AMPLIFIER
ON
the amp simulation effect on/off.

DRIVE
Adjusts the amount of drive for the amp.

OUTPUT
LEVEL
This sets the volume.


 

Alexandria
Legendry Vintage Organ

This is a powerful organ gadget that samples a range of sound variations from a traditional vintage organ. With a powerful rotary speaker, vibrato and chorus that adds character to the sound, and an overdrive circuit that generates warm distortion, it’s easy to produce realistic organ sounds.

Alexandria.png


ROTATION
STOP
Stops the rotation of the rotor.

SLOW
Slows the rotation of the rotor.

FAST
Speeds up the rotation of the rotor.

VIBRATO & CHORUS
ON/OFF
Switches the vibrato/chorus effect on/off.

V-C
Selects a preset for the vibrato/chorus effect.
(V-1, V-2, and V-3 are vibrato; C-1, C-2, and C-3 are chorus.)

MODULATION EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

AMBIENT EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

DRIVE
Adjust the amount of overdrive distortion.

OUTPUT
This sets the volume.


 

Firenze
Funky Electric Keyboard

This is a clav gadget that reproduces the sharp attack and percussive sound of a classic instrument. Since the pickup and filter can be controlled by individual switches, you can easily try out different changes in the sound. Additional parameters indispensable to the clav sound have been carefully selected, such as a mute slider that adjusts to the sound.

Firenze.png


FILTER
PRESENCE
Sets the tonal character of the high-frequency range.

TREBLE
Sets the high-frequency range of the sound.

MEDIUM
Sets the mid-frequency range of the sound.

BASS
Sets the low-frequency range of the sound.

* If all of these are OFF, no sound is output.

PICKUP
C/D、A/B
A variety of sounds can be produced by using different pickup (and filter) combinations.

MUTE
Adjust the amount of muting.

KEYOFF NOISE
Adjusts the amount of authentic key noise added when the note is released.

MODULATION EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

AMBIENT EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

OUTPUT LEVEL
This sets the volume.


 

Glasgow
Superior PCM Synthesizer

The gadget lets you produce a wide range of sounds including strings, brass, and synth. It provides a crisp, high-quality sound, with each tone displaying a set of the most suitable parameters for editing, so you can easily and efficiently attain the sound you desire.

Glasgow.png


CHARACTER
EDIT 1...4
These four knobs provide control of additional sound parameters. The actual parameter being controlled will appear in the “scribble-strips” above each knob.

* The character parameters will differ depending on the waveform that’s selected in WAVE VARIATIONS.

OUTPUT
LEVEL
This sets the volume.

ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

MODULATION EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

AMBIENT EFFECT
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.


 

Darwin
Digital PCM Synthesizer

This is a digital PCM synthesizer Gadget powered by KORG iM1. It has special sounds that cloud only be produced by the legendary M1 that defined an era. There are enormous sound programs that will cover your needs for a huge variety of music genres. “Smart Sound Browser” and “Easy Edit” enables the most efficient way to search and make fine adjustments to the sound.

Darwin.png


OSC BALANCE
This sets the volume of the oscillator.

CUTOFF
This adjusts the cutoff frequency of the VDF.

RESONANCE
This sets the resonance of the VDF.

EG INT
This sets the intensity with which the VDF cutoff is changed by the EG.

ATTACK TIME
This sets the attack time for the VDF and VDA.

DECAY TIME
This sets the decay time for the VDF and VDA.

RELEASE TIME
This sets the release time for the VDF and VDA. This sets the number of times the delay sound is repeated.

FX1 DRY/WET
Adjusts the balance of the processed sound and the direct sound.

FX2 DRY/WET
Adjusts the balance of the processed sound and the direct sound.

OUTPUT
This sets the volume.


 

Kamata
Wave Table Synthesizer

This synthesizer gadget emulates 80s video games by using Wavetable synthesis as a sound source. Based on the NAMCO CUSTOM30 sound generator in their world famous 1980’s arcade games, the sound team of BANDAI NAMCO Studios have reimagined the most popular game sounds and put them into a dedicated Gadget called Kamata. By using the carefully selected parameters for each of the 32 x 4 bit samples in the wavetable, you can design music and sounds that are both nostalgic and new

Kamata.png


MASTER VOLUME
This sets the volume.

VALUE
This sets the value of the selected parameter.

PAGE SELECT
This accesses the page.

WAVE BANK
This selects the wavetable.

DETUNE
This sets the amount of detuning.

NOISE
This sets the volume of the noise generator.

AMP ENV
AT (Attack Time)
This sets the amount of time from note-on until the attack level is reached.

DT (Decay Time)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SL (Sustain Level)
This sets the sustain level.

RT (Release Time)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PITCH ENV
AT (Attack Time)
This sets the amount of time from note-on until the attack level is reached.

DT (Decay Time)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

RT (Release Time)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

SL (Start Level)
This sets the start level.

AL (Attack Level)
This sets the amount of time from note-on until the attack level is reached.

SL (Sustain Level)
This sets the sustain level.

RL (Release Level)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

DELAY
TIME
This sets the delay time.

LEVEL
This sets the delay level.

COUNT
This sets the number of times the delay sound is repeated.

REVERB
TIME
This sets the reverb time.

LEVEL
This sets the reverb level.

LFO1-AMP
WAVE
This selects the waveform of the LFO1.

DEPT (Depth)
This sets the depth of the LFO1.

DELT (Delay Time)
This sets the time from note-on until the LFO1 starts.

RATE
This sets the LFO1 speed.

LFO2-PITCH
WAVE
This selects the waveform of the LFO2.

DEPT (Depth)
This sets the depth of the LFO2.

DELT (Delay Time)
This sets the time from note-on until the LFO2.

RATE
This sets the LFO2 speed.

PORTAMENTO
MODE
This switches the mode between Poly/Mono.

TIME
This sets the portamento time.

CONTROL
MOD-WHEEL
This sets the pitch and amp to be controlled with a modulation wheel.

PITCHBEND
This sets the change range for the pitch bend.


 

Madrid
Dynamic Bass Machine

Madrid is a powerful bass gadget that will add a lively groove to your music. Featuring acoustic bass, electric bass, six types of bass amp and two groups of builtin effects, you can change the sound character easily and substantially. From a strong, aggressive bass to a thick, plump bass, this gadget not only delivers powerful low tone but also realistically reproduce differences in most playing styles.

Madrid.png


SOUND
This selects the preset sound.

MASTER
This sets the volume.

EFFEC1, 2
TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with EDIT 1 and EDIT 2 will differ depending on the effect selected with TYPE.

PRE::POST
This switches between a pre/post effect.

TONE
BASS
Adjusts the level of the low-frequency range of the sound.

MIDDLE
Adjusts the level of the mid-frequency range of the sound.

TREBLE
Adjusts the level of the high-frequency range of the sound.

GAIN
This adjusts the gain for the amp.

AMP TYPE
This selects one of the six amp types.

ENVELOPE
ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.


 

Lexington
Duophonic Analogue Synthesizer

The legendary analog synthesiser, ARP ODYSSEY is now available as a Gadget. It's main characteristics are 3 different filters originating from the different dates of production, and a sharp, edgy sound that comes from the drive circuitry. Furthermore, through use of the 6 powerful effects, it's not just a faithful reproduction, a whole variety of evolved sounds are possible.

Lexington.PNG


VOICES
UNISON
Specifies the number of voices used when playing in unison mode. The maximum number of voices depends on the VOICES (total voice) setting. Unison simultaneously sounds the number of voices that you specify here, with the output of VCO1 and VCO2 mixed.

VOICES
Specifies the maximum number of notes that can played if VOICE ASSIGN is set to "POLY" or when UNISON is used.

PORTAMENTO
Specifies how the portamento effect is applied (the time over which the pitch change occurs). If the slider is in the “MIN” position, no portamento effect is applied. As you move the slider toward the “MAX” position, the pitch change occurs over a longer time.

MODE switch
Selects whether portamento is enabled when you use the TRANSPOSE lever. Use a fine-tipped pen or similar object to press this switch.

TRANSPOSE
Switches the range of pitches assigned to the keyboard in steps of two octaves.

UNISON DETUNE
Specifies the amount of detuning for the simultaneously-played voices if UNISON is set to a number greater than one and you are playing ARP ODYSSEi in unison mode. If UNISON is set to "1" (a single voice), this slider does nothing.

UNISON SPREAD
Spreads the output of the voices between the L and R channels if UNISON is set to a number greater than one and you are playing ARP ODYSSEi in unison mode. If the UNISON setting is an odd number, one voice is panned to the center.

PROPORTIONAL PITCH CONTROL
Depending on the strength of the press, the program will produce vibratos and musical intervals.

VOICE ASSIGN switch
Set the voice allocation method.

MONO : produces monophonic sounds.
LEGATO : produces monophonic sounds. Does not retrigger EG.
DUO : produces duophonic sounds.
POLY : produces polyphonic sounds.

VCO-1
FM depth slider
Adjusts the depth of FM (Frequency Modulation) when it is is applied.

PULSE WIDTH (WIDTH)
Adjusts the pulse width.

PULSE WIDTH (MOD)
Adjusts the depth of pulse width modulation.

FREQUENCY COARSE
Rough pitch adjustment.
This adjustment covers the range of 20 Hz–2 kHz if the keyboard switch is on, or 0.2 Hz–20 Hz if the keyboard switch is off.

FREQUENCY FINE
Fine pitch adjustment.

FM LFO switch
Selects the waveform of the modulation applied by the LFO.

FM SOURCE switch
Selects either Sample and Hold or the envelope generator (ADSR) as the modulation source.

PULSE WIDTH MOD スイッチ
Selects the source that will apply pulse width modulation.

KYBD switch (AUDIO KYBD ON / LF KYBD OFF)
If this is set to AUDIO KYBD ON, VCO-1 is connected to the keyboard CV, and will produce pitches in the conventional way. If this is set to AUDIO KYBD OFF, VCO-1 is disconnected from the keyboard CV, and will oscillate as an LFO. You can use this signal to modulate VCO-2 or as an audio source for sound effects.

VCO-2
FM depth slider
Adjusts the depth of FM (Frequency Modulation) when it is is applied.

PULSE WIDTH (WIDTH)
Adjusts the pulse width.

PULSE WIDTH (MOD)
Adjusts the depth of pulse width modulation.

FREQUENCY COARSE
Rough pitch adjustment. This is adjustable in the range of 20 Hz – 2 kHz. If the SYNC switch is on, this changes the overtone structure rather than the pitch.

FREQUENCY FINE
Fine pitch adjustment. If the SYNC switch is on, this changes the overtone structure rather than the pitch.

FM LFO switch
Selects either modulation by an LFO sine wave or modulation by the S/H MIXER (sample and hold mixer).

FM SOURCE switch
Selects either Sample and Hold or the envelope generator (ADSR) as the modulation source.

PULSE WIDTH MOD switch
Selects the source that will apply pulse width modulation.

SYNC
Turns sync on/off.
If this is off, duophonic performance is possible. If this is on, VCO-2 is synchronized with the frequency (pitch) of VCO-1.

S/H MIXER
S/H INPUT (VCO-1)
Adjusts the level at which the waveform output from VCO-1 is input to the S/H MIXER.

S/H INPUT (NOISE、VCO-2)
Adjusts the level at which noise or the square wave output from VCO-2 is input to the S/H MIXER.

S/H OUTPUT LAG
Smooths the changes of the S/H output voltage.
As you move the slider toward the “MAX” position, a greater amount of the smoothing will be applied.

S/H INPUT switch (VCO-1)
Selects the source (VCO-1 waveform) that is input to the S/H MIXER.

S/H INPUT switch (NOISE、VCO-2)
Selects the source (noise or VCO-2 square wave) that is input to the S/ H MIXER.

S/H TRIGGER switch
Selects the signal (either the output of the LFO or the output of the keyboard) that is used as the trigger when detecting an audio signal sent from the S/H MIXER.

LFO
LFO FREQ
Adjusts the LFO speed. Raising the slider makes the speed faster.

LFO KEY SYNC
If this is ON, the LFO starts each time you play a key, and an independent LFO operates for each note. If this is OFF, the LFO that was started by the first-played note is also applied to subsequentlyplayed notes.

LFO TEMPO SYNC
Turn this on/off to specify whether the LFO is synchronized to the tempo (MIDI clock).

AUDIO MIXER/VCF/HPF/VCA

NOISE/RING MOD
Adjusts the level of the audio signal that is sent from the noise generator or the ring modulator.

VCO-1
Adjusts the level of the audio signal that is sent from VCO-1.

VCO-2
Adjusts the level of the audio signal that is sent from VCO-2.

FILTER MOD (KYBD CV、S/H MIXER)
Selects the source that will control the filter. If you select KYBD CV (keyboard control voltage), the signal normally used to convey key information from the keyboard to the VCO can be used to open and close the filter. For example, you can produce an effect in which the filter opens more for higher notes. If you select S/H MIXER, the signal sent from the S/H MIXER will open and close the filter.

FILTER MOD (S/H、LFO)
Selects the source that will control the filter. You can produce a wah effect by using the LFO to modulate the filter.

FILTER MOD (ADSR、AR)

VELOCITY (VEL VCA、VCF)
Adjust filter by velocity or the amp’s change in tone (VCA, VCF).

VCA LEVEL
Adjusts the level at which the envelope generators (AR and ADSR) control the VCA. In practical terms, this is the master volume.

VCF FREQ
Adjusts how the LPF (Low Pass Filter) is applied.
If the slider is in the lowest position (16 Hz), the high-frequency range of the input signal is cut, producing a soft sound. Raising the slider makes the sound brighter.

VCF RESONANCE
Adjusts the resonance. This modifies the tonal character by boosting the overtones in the region of the cutoff point. As you raise the slider, self-oscillation (a state in which the VCF itself produces a sound) will occur starting at a certain point.

HPF CUTOFF FREQ
Adjusts how the HPF (High Pass Filter) is applied. As you raise the slider, the low-frequency region of the input signal is cut, producing a thinner sound. This is useful when you are simulating the sound of certain instruments.

DRIVE GAIN
Adjust VCA distortion.

FILTER switch (NOISE、RING MOD)
Selects either noise or ring modulator.

FILTER switch (VCO-1)
Selects the VCO-1 waveform (sawtooth or square). If you select square wave, you can raise the PULSE WIDTH slider to change from a square wave to a pulse wave.

FILTER switch (VCO-2)
Selects the VCO-2 waveform (sawtooth or square). If you select square wave, you can raise the PULSE WIDTH slider to change from a square wave to a pulse wave.

FILTER MOD SOURCE switch (KYBD CV、S/H MIXER)
Selects the source that will control the filter.

If you select KYBD CV (keyboard control voltage), the signal normally used to convey key information from the keyboard to the VCO can be used to open and close the filter. For example, you can produce an effect in which the filter opens more for higher notes.

If you select S/H MIXER, the signal sent from the S/H MIXER will open and close the filter.

FILTER MOD SOURCE switch (S/H、LFO)
Selects the source that will control the filter. You can produce a wah effect by using the LFO to modulate the filter.

FILTER MOD SOURCE switch (ADSR、AR)
Selects the envelope generator that will control the filter.

VEL switch (VCA、VCF)
Set the depth in VCA / VCF change by velocity
(Enables only when a MIDI keyboard is connected.)

VCA EG switch (AR、ADSR)
Selects the envelope generator that will control the VCA.

VCF TYPE スイッチ
Selects the type of VCF.

I : ODYSSEY Rev.1
II : ODYSSEY Rev.2
III : ODYSSEY Rev.3

ENVELOPE GENERATOR
ADSR EG - ATTACK
Adjusts the attack time of the ADSR envelope generator.

ADSR EG - DECAY
Adjusts the decay time of the ADSR envelope generator.

ADSR EG - SUSTAIN
Adjusts the sustain time of the ADSR envelope generator.

ADSR EG - RELEASE
Adjusts the release time of the ADSR envelope generator.

AR EG - ATTACK
Adjusts the attack time of the AR envelope generator.

AR EG - RELEASE
Adjusts the release time of the AR envelope generator.

ADSR trigger source switch
Selects the trigger that is sent to the ADSR envelope generator.

If KYBD GATE is selected, the trigger sent from the keyboard is sent to the EG. If LFO REPEAT is selected, the pulse wave of the LFO is sent to the EG, and the EG repeats the envelope cyclically at the rate of the LFO FREQ.

ADSR repeat switch
This is effective if LFO REPEAT is selected by the ADSR or by the AR trigger source switch.

If KYBD REPEAT is selected, the LFO trigger sent repeatedly to the EG continues repeating only as long as the key is pressed.
If AUTO REPEAT is selected, it continues repeating regardless of the keyboard on/off status.

AR trigger source switch
Selects the trigger that is sent to the AR envelope generator. This has the same function as the ADSR trigger switch.

NOISE GENERATOR switch
Selects white noise or pink noise.

EFFECT
CHORUS/FLANGER/ENSEMBLE
This effect gives the sound spaciousness and a sense of vibrato by combining the original sound with a signal whose pitch is modulated.

ON/OFF
To use this effect, turn this ON.

TYPE
Selects the effect type.

DEPTH
Adjusts the depth of the effect.

FREQ
Adjusts the speed of modulation.

MIX
Adjusts the balance between the effect sound and direct sound.

DELAY
This effect delays the sound in time.

ON/OFF
To use this effect, turn this ON.

TEMPO SYNC
Turn this on/off to specify whether the delay time is synchronized to tempo.

FEED BACK
Adjusts the amount of feedback.

TIME LEFT
Adjusts the delay time of the left channel.

TIME RIGHT
Adjusts the delay time of the right channel.

LEVEL
Adjusts the level of the effect sound.

REVERB
This effect simulates reverberation and acoustic space.

ON/OFF
To use this effect, turn this ON.

TYPE
Selects the effect type.

TIME
Adjusts the reverb time.

TONE
Adjusts the brightness of the reverb sound.

MIX
Adjusts the balance between the effect sound and direct sound.

DISTORTION
This is a distortion effect that lets you choose from three types of distortion.

ON/OFF
To use this effect, turn this ON.

TYPE
Selects the effect type.

DRIVE
Adjusts the amount of distortion by adjusting the input level of the distortion circuit.

TONE
Adjusts the tone.

MIX
Adjusts the balance between the effect sound and direct sound.

PHASER
This effect modulates the sound by combining the original sound with a sound whose phase changes periodically.

ON/OFF
To use this effect, turn this ON.

MANUAL
Adjusts the frequency at which the effect is applied.

DEPTH
Adjusts the depth of the effect.

FREQ
Adjusts the speed of modulation.

RESONANCE
Adjusts the amount of resonance.

EQ
This boosts or cuts the levels of the low, mid, and high-frequency region.

ON/OFF
To use this effect, turn this ON.

LO GAIN
Adjusts the low-frequency region.

MID FREQ
Specifies the frequency of the mid-frequency region.

MID GAIN
Adjusts the mid-frequency region.

HI GAIN
Adjusts the high-frequency region.

MASTER
This is the master volume slider; use this to set the output level.

LEVEL
Adjusts the output level.

 

 

Montpellier
4VCO Analogue Synthesizer

A legend amongst synthesizers and KORG’s analog synth family, the "Mono/Poly" has been Gadgetized. In addition to 4VCO, Montpellier has 2 multi effects and 8 patches storing settings for 159 different modulation sources affecting 35 different destinations. Montpellier has the power of “Mono/Poly” in a Gadget that will generate a broad pallet of rich analog sounds easily and with complete control.

Montpellier.png

 

SYNTH

PWM

BIPOLAR (PWM SRC Bipolar)
Selects the polarity of the modulation source

PWM SOURCE
Selects the modulation source for pulse width.

INTENSITY
Specifies the maximum pulse width modulation applied by the source selected by “PWM SOURCE.”

PW

WIDTH
Specifies the pulse width. Settings of 0.00 or 10.00 will produce silence.

MASTER

TUNE
Adjusts the pitch of all of the oscillators in steps of one cent. The range of adjustment is ±100 cents.

VCO1

WAVEFORM
Selects the waveform of oscillator.

SEMITONE
Adjusts the pitch of the oscillator in step of one semitone (100 cents). The range of adjustments is ± 2 octaves.

LEVEL
Adjusts the output level of the oscillator.
In monophonic mode (“KEY ASSIGN MODE” is UNISON or CHORD), VCO2–4 will be considered as harmonics of VCO1, allow- ing you to synthesize waveforms that could not have been created using just the waveform selected by “WAVEFORM.” If the “KEY ASSIGN MODE” is set to ORIGINAL, it is customary to set the same volume level for all VCOs.

VCO2, VCO3, VCO4

TUNE
Creates a slight difference in pitch between the four oscillators, making the sound thicker. Higher values will create a greater pitch difference.

WAVEFORM
Selects the waveform of oscillator.

SEMITONE
Adjusts the pitch of a single oscillator in step of one semitone (100 cents). The range of adjustments is ± 2 octaves.

LEVEL
Adjusts the output level of the oscillator.

VCO MODULATION

ON/OFF
Switches oscillator modulation on/off.

MOD TYPE (VCO Modulation Type)
Selects the modulation type.

MOD MODE (VCO Modulation Mode)
Specifies how modulation will be applied.

X-MOD (VCO Cross Modulation Intensity)
Adjusts the depth of cross modulation when “MOD TYPE” is X-MOD.

FREQ MOD (VCO Frequency Modulation Intensity)
Adjusts the depth of modulation. Raising this value will also affect the pitch of VCO2–VCO4 (or VCO2 and VCO4).

BIPOLAR (VCO Frequency Modulation Bipolar)
Selects the polarity of the modulation source.

FREQ MOD SOURCE (Frequency Modulation Source Select)
Selects the modulation source applied to VCO2–VCO4 (or VCO2 and VCO4) when “MOD TYPE” is SYNC.

VCF

CUTOFF
Adjusts the cutoff frequency of the filter.

RESONANCE
Boosts the region near the cutoff frequency. When this knob is at or near the maximum setting, the filter will self-oscillate.

EG INTENSITY
Specifies the depth and direction to which the EG will affect the cutoff frequency.

KBD TRACK (Keyboard Track)
Adjusts the depth to which the cutoff frequency will change according to the pitch of the note that is input. With a setting of 100, the change in cutoff frequency will be proportionate to the change in pitch.

VCF EG

ATTACK (Attack Time)
Adjusts the time from note-on until the attack level is reached.

DECAY (Decay Time)
Adjusts the time over which the level changes from the attack level to the sustain level.

SUSTAIN (Sustain Level)
Adjusts the sustain level.

RELEASE (Release Time)
Adjusts the time over which the level falls from the sustain level to zero following note-off.

VCA EG

ATTACK (Attack Time)
Adjusts the time from note-on until the attack level is reached.

DECAY (Decay Time)
Adjusts the time over which the level changes from the attack level to the sustain level.

SUSTAIN (Sustain Level)
Adjusts the sustain level.

RELEASE (Release Time)
Adjusts the time over which the level falls from the sustain level to zero following note-off.

MG1, MG2

WAVEFORM
Selects the MG waveform.

FREQUENCY/TIMES
If “TEMPO SYNC” is ON, this setting specifies the cycle of the MG in conjunction with “BASE NOTE.” If “TEMPO SYNC” is OFF, this adjusts the frequency of the MG

KEY (KEY SYNC)
If this setting is ON, the phase of the MG (Modulation Generator) will be reset at each note-on.

TEMPO (TEMPO SYNC)
Turn this on to synchronize the MG with the tempo set in “Tempo Source”.

BASE NOTE
If “TEMPO SYNC” is ON, one cycle of the MG will equal the note value you select for “BASE NOTE” (at the synchronized tempo) multiplied by the “TIMES” specified by the “FREQUENCY/TIMES” knob. If “TEMPO SYNC” is OFF, this parameter does nothing.

AMP

PORTAMENTO

TIME (PORTAMENTO TIME)
Specifies the portamento time. Higher settings will make the pitch change more slowly. Portamento is applied even if you play chords.

NOISE

LEVEL
Adjusts the output level of the white noise.
You can use the this for a variety of sound shaping situations, such as adding breath noise for a wind instrument sound, or as part of a special effect sound.

BEND

RANGE (Bend Range)
Specifies the amount of pitch change that will occur when you operate the pitch bend wheel or the pitch bender of a MIDI controller connected to your iPad. This setting specifies the pitch change that will occur when the pitch bender is operated all the way in the positive (+) direction.

OUTPUT

PAN
Adjusts the panning of the Montpellier output.

VOLUME
Adjusts the Montpellier output prior to being routed to the effects section.

DETUNE

DETUNE
Creates a slight difference in pitch between the four oscillators, making the sound thicker. Higher values will create a greater pitch difference.

KEY ASSIGN MODE

HOLD
If this is ON, notes will be held following note-on.

KEY ASSIGN MODE
CHORD(Monophonic): Memorizes the chord you are play- ing, so that you can play that chord in any key by triggering only one note.

UNISON(Monophonic): Makes the iMono/Poly play in Uni- son mode.

ORIGINAL(Polyphonic): The synthesizer will operate in the same way as when the original Mono/Poly was set to POLY. You can use VCO1–VCO4 to play polyphonically. Since one oscillator will be assigned to each note, you’ll be able to play a maximum of four simultaneous notes

POLY(Polyphonic): The synthesizer will play polyphonically. Four oscillators will be assigned to each note.

MASTER

VOLUME
Adjusts the overall output level after the sound has passed through the effects.

TRANSPOSE

TRANSPOSE
Adjusts the pitch of all of the oscillators in steps of one semitone (100 cents). The range of adjustment is ±2 octaves.

VOICES

TRIGGER MODE
Specifies whether the note will be retriggered if you play another key before releasing the previous key. This parameter is valid when you’re playing monophonically (“KEY ASSIGN MODE” set to UNI- SON, CHORD, or ORIGINAL); the setting is ignored if you’re play- ing polyphonically.

TOTAL
Specifies the maximum polyphony.

UNISON
Specifies the unison voices.

DETUNE
Specifies the number of unison voices used when playing polyphonically.

SPREAD
Spreads the voices between the left and right channels when you use “UNISON” to play multiple voices in unison. If the “UNISON” set- ting is odd-numbered, only one voice will be located in the center.

ANALOG
Controls the amount of randomness applied to the oscillator pitch and the filter cutoff frequency at each note-on.

EFFECT

EFFECT1, EFFECT2

Effect display
This area shows the effect(s) you are using.

When you tap the effect type name shown in the effect display, a popup menu will appear, allowing you to choose an effect type.

Effect ON/OFF
Switches the effect on/off. If the effect is on, the LED will light.

DRY/WET knob
Adjusts the balance between the effect sound and direct sound.

INPUT slider
Adjusts the input level to the effect. Watch the input level meter located above the slider and listen to the audio output while you adjust this slider.

OUTPUT slider
Adjusts the output level of the effect. Watch the output level meter located above the slider and listen to the audio output while you adjust this slider.

Effect parameters
The parameters of the selected effect are shown here. Use the mouse to edit the parameters directly.

VIRTUAL PATCH

VIRTUAL PATCH1...8

SOURCE
Selects the modulation source.

DESTINATION
Selects the parameter that will be the modulation destination

INTENSITY
Specifies the depth of the modulation produced by the modulation source. If this is set to 0.00, no modulation will occur.

 

 

Lisbon
Polyphonic Sci-Fi Synthesizer

A polyphonic synthesizer gadget that produces a thick, glossy, near-future sound that is indispensable for electronic music. With KORG's electronic circuit modelling technology and powerful synthesizer engine with five diverse effects, you can create instantaneous sound regardless of music genre and style.

Lisbon.png

 

synth

GENERATOR

wave
This selects the waveform of the oscillator.

trans
This sets the pitch of oscillator.

upper
This sets the high range level of the oscillator.

grit
This sets the volume of the distortion.

diffuse
This sets the amount of detuning.

spread
This sets the spread of the sound.

glide
This sets the pitch glide speed.

FILTER

type
This selects the filter type.

env 1
This sets the amount of the modulation produced by using the EG to modulate the cutoff frequency.

kbd
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

freq
This sets the cutoff frequency of the filter.

peak
This sets the resonance of the filter.

lfo 1
This set the modulation amount to the filter by LFO1.

lfo 2
This set the modulation amount to the filter by LFO2.

LFOS 1, 2

wave
This selects the LFO waveform.

freq
This sets the LFO speed

bpm
If this is On, the LFO speed will synchronize to the tempo of the song.

key
If this setting is On, the phase of the LFO will be reset at each note-on.

ENVELOPES 1, 2

a
This sets the amount of time from note-on until the attack level is reached.

d
This sets the amount of time from when the attack level is reached until the sustain level is reached.

s
This sets the sustain level.

r
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

AMP

env 2
This set the volume to AMP by ENVELOPE 2.

lfo 1
This set the amount of modulation to AMP by LFO1.

lfo 2
This set the amount of modulation to AMP by LFO2.

fx

PITCH

range
This sets the pitch bend range.

bend
This sets the pitch bend.

lfo 1
This set the amount of modulation to PITCH by LFO1.

SHAPE

on, off
To use this effect, turn this ON.

valve, soft, hard
Selects the effect type.

drive
Adjusts the amount of distortion by adjusting the input level of the distortion circuit.

tone
Adjusts the tone.

mix
Adjusts the balance between the effect sound and direct sound.

MODULATION

on, off
To use this effect, turn this ON.

cho, flg, phs
Selects the effect type.

depth
Adjusts the depth of the effect.

freq
Adjusts the speed of modulation.

mix
Adjusts the balance between the effect sound and direct sound.

EQUALIZER

on, off
To use this effect, turn this ON.

high
Adjusts the high-frequency region.

mid freq
Specifies the frequency of the mid-frequency region.

mid gain
Adjusts the mid-frequency region.

low
Adjusts the low-frequency region.

DELAY

on, off
To use this effect, turn this ON.

sync
Turn this on/off to specify whether the delay time is synchronized to tempo.

feedback
Adjusts the amount of feedback.

left time
Adjusts the delay time of the left channel.

right time
Adjusts the delay time of the right channel.

level
Adjusts the level of the effect sound.

REVERB

on, off
To use this effect, turn this ON.

room, hall, plate, apollo
Selects the effect type.

time
Adjusts the reverb time.

tone
Adjusts the brightness of the reverb sound.

mix
Adjusts the balance between the effect sound and direct sound.

master
Adjusts the output level.

 

 

Vancouver
Layering Melody Sampler

You can create an infinite number of sounds with this simple sampler gadget, which allows you to play preloaded sounds with ease using the keyboard. With a retro look and more than 90 unique sounds including acoustic instruments, synthesizers, voice and sound effects. In addition to the preset timbres you can also import your own sounds to two sample oscillators.

Vancouver.png

 

PORTA
This sets the pitch glide speed.

MASTER
This sets the volume.

MONO
This sets how note will be played.

VIBRATO

AMOUNT
This sets the depth of the vibrato.

SPEED
This sets the vibrato speed.

SAMP 1

Sample
Set sample 1 to be played back.

Start
Set the start point of sample 1.

Length
Sets the length of sample 1 playback.

Loop
Sets whether to loop sample 1 or not.

Loop Point
Set the loop point of sample 1.

Reverse
Sample 1 is set to reverse playback.

SAMP 2

Sample
Set sample 2 to be played back.

Start
Set the start point of sample 2.

Length
Sets the length of sample 2 playback.

Loop
Sets whether to loop sample 2 or not.

Loop Point
Set the loop point of sample 2.

Reverse
Sample 2 is set to reverse playback.

MIX

OSC 1

Tune
Fine tune the pitch of sample 1.

Level
Set the volume of sample 1.

EG 1 Sustain
Set the sustain for sample 1.

Attack
Set the attack level of sample 1.

Release
Set the release level of sample 1.

OSC 2

Tune
Fine tune the pitch of sample 2.

Level
Set the volume of sample 2.

EG 1 Sustain
Set the sustain for sample 2.

Attack
Set the attack level of sample 2.

Release
Set the release level of sample 2.

SUB

Tune
Fine tune the sub-oscillator pitch.

Level
Set the volume of the sub-oscillator.

Wave
Select the sub-oscillator waveform.

SPACE FX

TYPE
Select the reverb type.

 

 

Stockholm by Reason
Octo-Sample Loop Player

Stockholm by Reason is a gadgetized version of “Dr. Octo Rex” from Propellerhead Software’s Reason, which allows you to load a total of 8 Rex files and switch between them in real-time. You can make arrangements by simply loading multiple drum or guitar loops into the player and freely switching between them. It is also possible to create new phrases, beats by triggering slices in any way you like.

Stockholm.png


What is a Rex file?
Rex files are loops which have been converted into Propellerhead Software's ReCycle's file format. By “slicing” an audio loop and making separate samples of each beat, it possible to change the tempo of a loop without affecting its pitch, as well as trigger parts of a loop as if it was made out of individual sounds.*

* It is not possible to use Stockholm to convert or edit Rex files. Please use Propellerhead Software’s Reason or ReCycle to convert and edit Rex files.


REX


TRIG NEXT LOOP


Bar
Activate the Bar button to make loops switch at the start of the next bar of the current loop.

Beat
Activate the Beat button to make loops switch at the next beat of the current loop.

1/16
Activate the 1/16 button to make loops switch at the next 1/16th note of the current loop.

SELECT LOOP 1...8

LOOP SLOT 1...8
A maximum of 8 Rex files can be loaded into the loop slots. Their names are shown on the displays below each button.


EDIT SLICE PARAMETERS


FOLLOW LOOP PLAYBACK
Activate the Follow Loop Playback button to update the waveform display to reflect the actively playing loop.

RESET CURRENT PARAMETERS
Activate the Reset Current Parameters button to reset the slice parameter currently being shown on the waveform display.

LOOP TRANSPOSE
Set the overall pitch level of individual loops with the Loop Transpose knob, or by clicking on the keyboard display below the knob.

LOOP LEVEL
Set the individual levels for each loop slot.

Pitch
Allows you to transpose each individual slice in semitone steps over a range of more than 8 octaves.

Pan
The stereo position of each slice.

Level
The volume of each slice. The default level is 100.

Decay
Allows you to shorten individual slices.

Rev
Allows you to play individual slices backward.

FFreq
Allows you to modify the Filter (cutoff) Frequency of individual slices. This value is added to or subtracted (if negative) from the FREQ value of the synth panel.

Alt
Allows you to assign slices to Alternate groups (1-4). Slices assigned to any of these four groups will be played back randomly within each group.


SYNTH


OSC PITCH


ENV. A
Determines to what degree the pitch is affected by the Filter Envelope. You can set negative or positive values, which determine if the envelope curve either raises or lowers the pitch.

OCT
Sets the pitch of a Rex loop over a range of 0 - 8 octaves. The default value is 4.

FINE
Fine-tune the pitch of a Rex loop over a range of -50 to 50 cents (up or down half a semitone). The default value is 0.


MOD. WHEEL*


FREQ
This sets modulation wheel control of the filter frequency parameter. A positive value will raise the frequency if the wheel is pushed forward. Negative values invert this relationship.

RES
This sets modulation wheel control of the filter resonance parameter. A positive value will increase the resonance if the wheel is pushed forward. Negative values invert this relationship.

DECAY
This sets modulation wheel control for the Filter Envelope Decay parameter. A positive value will increase the decay if the wheel is pushed forward. Negative values invert this relationship.

* Control by automation and MIDI.


VELOCITY


ENV
This sets velocity control for the Filter Envelope Amount parameter. A positive value will increase the envelope amount with higher velocity values. Negative values invert this relationship.

DECAY
This sets velocity control for the Filter Envelope Decay parameter. A positive value will increase the Decay time with higher velocity values. Negative values invert this relationship.

AMP
This lets you control the overall volume of the file. If a positive value is set then the higher the velocity is the louder the volume will be.

PB RANGE
This sets the Pitch Bend Range. The maximum range is 24 semitones (up/down 2 octaves).

POLY
This determines the polyphony (number of slices played simultaneously). Can be set to a maximum of 16 sounds.

GBL TRANS
This sets the pitch of the loops in all loop slots. Can be increased or decreased in 12 semitone steps (up/down 1 octave). The global transposition value can be controlled through MIDI notes C-2 to C0 (the glocal transposition value can be reset to zero with C-1.)


FILTER


FREQ
This sets the filter cutoff frequency.

RES
This sets the resonance of the filter.

ON
This turns the filter on and off.

MODE
This lets you select from the 5 types of filter.

Notch : A notch filter (or band reject filter) could be described as the opposite of a bandpass filter. It cuts off frequencies in a narrow midrange band, letting the frequencies below and above through.

HP 12 : A highpass filter is the opposite of a lowpass filter, cutting out lower frequencies and letting high frequencies pass. The HP filter slope has a 12 dB/Octave roll-off.

BP 12 : A bandpass filter cuts both high and low frequencies, while midrange frequencies are not affected. Each slope in this filter type has a 12 dB/Octave roll-off.

LP 12 : This type of lowpass filter is also widely used in classic analog synthesizers. It has a gentler slope (12 dB/Octave), leaving more of the harmonics in the filtered sound compared to the LP 24 fil- ter.

LP 24 : Lowpass filters lets low frequencies pass and cuts out the high frequencies. This filter type has a fairly steep roll- off curve (24dB/Octave). Many classic synthesizers used this filter type.


FILTER ENVELOPE


AMOUNT
This determines the degree by which the filter cutoff frequency is affected by the filter envelope. The higher the Amount, the more pronounced the effect of the envelope on the filter will be.

A
This sets the time it takes from the moment the envelope's maximum attack level is reached until it transitions to the sustain level.

D
This sets the time it takes from the moment the maximum attack level is reached before it transitions to the sustain level.

S
This sets the sustain level.

R
This sets how long it takes for the envelope level to return to 0 once a note has been released.


LFO


SYNC
This activates/deactivates the LFO sync. It can be synchronized using 16 different time divisions. If Sync is activated you can set the time division with the Rate knob.

WAVEF.
This lets you select from 6 kinds of LFO waveforms for modulating parameters.

RATE
This sets the frequency of the LFO. Turn it clockwise to increase the modulation rate.

AMOUNT
This determines how much the selected destination is affected by the LFO. In other words, it sets the amount of vibrato, filter wah, and auto-panning.

DEST
This lets you select from the 3 parameters which can be controlled by the LFO.


AMP ENVELOPE


A
This sets the time it takes from the moment a note is played until the envelope reaches its maximum attack level.

D
This sets the time it takes from the moment the envelope's maximum attack level is reached until it transitions to the sustain level.

S
This sets the sustain level.

R
This sets how long it takes for the envelope level to return to 0 once a note has been released.


PERF


NOTE DEST LOOP *
This lets you select the loop slot which you will be able to control through MIDI.

* It is the same function as Notes To Slot of Dr.Octo Rex.

CURRENT LOOP
This displays the loop which is currently playing.

KEYS
Play/Stop the loop. The display changes to show the mode.

PADS
Play/Stop the loop. The display changes to show the mode.

TRIGGER
Select the keyboard performance mode between SLICE and LOOP.

SLICE: Play a range of slices of the selected loop slot.
LOOP: Control loop playback of loop slots 1-8.

KBD. OPT
This lets you control the gadget arpeggiator.

OCTAVE
This lets you set the performance keyboard range. The display changes to show the keyboard range.

 

Milpitas
Wave Sequence Synthesizer

The Wave Sequence Synthesizer, the new WAVESTATION Gadget, has the ability to create sounds by combined or shifting between multiple complex waveforms. Equipped with joystick-operated mix/morphing functions and the new graphically enhanced Wave Sequence View, it allows you to intuitively control an unprecedented variety of sounds. like.

Milpitas.png


BROWSER

Vector
Operating the vector joystick will control the parameters that are assigned to the A–C axes and the B–D axes. MIDI control changes can be used on external MIDI devices that are connected to change the joystick values of the joy- stick as well.

X/Y
This sets the parameters that are assigned to the A–C axes and the B–D axes of the vector joystick.

WAVESEQ

Oscilloscope
When operating the controllers or playing a note on a connected MIDI device, the oscilloscope shows the waveform of the oscillator or the patch that sounded at that time refer to “Oscilloscope”. However, the waveform will not display for oscillators that do not sound at a volume level of 0.

WAVE page

Wave Select
Move the wave display up and down to change the assigned wave.

LEVEL page

Level Settings
Move the wave display up and down to change the volume level.

LOOP page

Loop Settings
Drag the wave display from left to right to set the loop range.

PITCH page

Pitch Settings
Move the pitch display up and down to set the pitch.

PARAM page

LEVEL
Sets the volume level of the oscillator.

CUTOFF
Sets the cutoff frequency. Higher values will produce a brighter sound.

Mode
EXCITER: This adjusts the high-frequency region. Higher settings will give the high-frequency region more sparkle and clarity.

RESONANCE: This will emphasize the overtone spectrum near the cutoff frequency, adding a distinctive character to the sound. Higher settings will emphasize the overtones, increasing the resonance effect.

Amount
Select EXCITER or RESONANCE for the mode, and set the value.

AMP (AMP EG)
Controls the volume over time.
Drag each point on the graphical envelope.

1-16 RANGE
Shows the range for the currently displayed step.

Tap this range and move the range bar of the pop-up menu shown to change the range of the steps that are displayed. If the selected performance is 16 steps or less, the range bar cannot be moved.

MIXER

MIXER page

Patch Name
Shows the currently selected patch name.

Tap on the name to show the browser, where the patch can be changed.

Patch On
Sets whether the patch plays or not.

Solo
Plays only the patch that is on.

Mute
Mutes the patch that is on.

Level
Adjusts the volume level for the part.

Delay
Sets the time it takes for the sound to be heard after a note has been played (note-on), in ms.

Bus
Configures the routing (connection route) to the part effects.

The setting range is as follows.

BUS-A: Connects to bus A only.
A99/B01–A01/B99: Connects to both bus A and B, and sets the ratio of signal to be sent to each bus.
BUS-B: Connects to bus B only.
BUS-C: Connects to bus C only
C+D: Connects to bus C and D.
BUS-D: Connects to bus D only.
ALL: Connects to all buses.
PATCH: Connects to the bus configured in “FX BUS” on the EDIT and OUTPUT pages.

Scale (Scale Type)
Sets the scale type (scale) for the patch.

EQUAL TEMP 1: This is a widely used tuning, in which every semitone is spaced an equal pitch distance from the next (equal temperament tuning).
EQUAL TEMP 2: In this tuning, the pitches of equal temperament tuning are randomly shifted with every note-on registered.
PURE MAJOR: The notes of this tuning are completely harmonious with the major chords in the primary key specified (just intonation major scale).
PURE MINOR: The notes of this tuning are completely harmonious with the minor chords in the primary key specified (just intonation minor scale).

Key (Root Key)
When “PURE MAJOR” or “PURE MINOR” is selected in Scale, the primary chord key for the scale is set.

MIDI page

Key Zone
Sets the range in which each patch will sound. Note numbers played outside of this range will not cause the patch to sound.

Velocity Zone
Sets the velocity range within which each patch will sound. The part will not sound for notes that are played with a velocity outside of this range.

Detune
Adjusts the pitch of the patch in one-cent steps.

Transpose
Adjusts the pitch of the patch in semitone (100 cent) steps. The setting range is ±2 octaves.

Voice Mode
Sets the sound mode for note-on signals received for each patch. Tap the setting to switch between the modes.

POLYPHONIC: Multiple voices will sound simultaneously, up to the maximum polyphony.
UNI RETRIG: All voices of this part will be stacked when a single note is played, and will be retriggered with each note- on.
UNI LEGATO: All voices of this part will be stacked when a single note is played. When playing legato, the voices will not be retriggered with each new note played.

Key Priority
When receiving multiple note-on signals, this sets which key should be given priority to sound. Tap the setting to switch between the values. This is enabled only when “Voice Mode” is set to UNI RETRIG or UNI LEGATO.

Sustain
Sets whether the patch responds to sustain.

EFFECT page

FX 1/FX 2 EFFECT TYPE
Tap to select the desired effect from the pop-up menu that is shown. The effect parameters differ depending on the effect selected.

ROUTING
Specifies the placement of the effects. The connection diagram in the display changes according to the placement you select.

SERIES: In series mode you can use both effects to process the A and B inputs.

Inputs A and B are processed by FX 1 and FX 2 and output from 1/L and 2/R. Inputs C and D are assigned by Mix C and Mix D into two streams; signals that are sent to the 1/L and 2/R outputs without further processing, and signals that are processed by FX 2 and then sent to the 1/L and 2/R outputs.

PARALLEL: In parallel mode you can apply separate effects to inputs A and B and inputs C and D.

Inputs A and B are processed by FX1, and inputs C and D are processed by FX 2. Both effects are output to 1/L and 2/R. The FX 2 effect output is panned by Mix C and Mix D, and mixed into 1/L and 2/R.

FX 1/ FX 2
Tap to select the effect to edit. The effect parameters will be shown below the selected effect.

Mix C, Mix D/Pan C, Pan D
When Routing is “SERIES”, the Mix C and Mix D parameters adjust the wet/dry ratio of the C/D inputs.
When Routing is “PARALLEL”, the Pan C and Pan D parameters adjust the stereo position of the FX 2.

Effect Parameters
Refer to the “WAVESTATION Reference Guide” and “EXPANDED EFFECTS” for more information on each parameter.

 

Warszawa
Wavetable Synth

The Sophisticated Wavetable Synthesizer "ELECTRIBE Wave", capable of creating innovative and cutting-edge sounds, has been Gadgetized. Unlike a PCM synth, a wavetable synthesizer allows you to repeatedly play fragments of short waveforms and change the waveform position during playback. By combining a wavetable oscillator with a powerful filter and two modulation units, you can create a variety of sounds.

Warszawa.png


ARP

SWITCH
Switches the arpeggiator on/off.

TYPE
Selects the pattern that the arpeggiator will play.

SPEED
Sets the arpeggiator playback speed. This also sets the ratio for the tempo setting.

GATE
Sets the offset for the gate time (how long each sound is.)

VOICE

MODE
This switches between monophonic and polyphonic sound.

POLY : Plays sounds back in 4-note polyphony.
MONO1 : This is a monophonic mode in which notes played in legato will not be retriggered.
MONO2 : This is a monophonic mode in which notes are always retriggered, regardless of how you play them.

GLIDE
Sets the transition time from one note to another.

TRANS/BEND
Adjusts the overall pitch of the note in semitones (100 cents). Also sets the range of the pitch bend. The range is ±2 octaves.

OSC

EG INT
Sets the POSITION amount for the wavetable driven by the EG

POSITION
Sets the position at which the selected wavetable is played back.

OSCILLATOR
Tap to select wavetables and PCMs from the list. You can also use the◄ and ►buttons next to the waveform display.

MOD Type
You can set the modulation as shown below when a selecting a wavetable for the oscillator.

OFF : Modulation is not used.
SYNC : This type of oscillator resets the phase of the waveform for oscillator B according to the timing of the frequency of oscillator A, which generates overtones. Use the PITCH to adjust the pitch of the slave’s waveform.
X-MOD : This type of oscillator modulates oscillator A (the carrier) with the waveform outputted by oscillator B (the modulator), which generates complex overtones. This allows the oscillator to be modulated at a higher frequency than when using an LFO. Use DEPTH and MOD PITCH for modulation.
VPM : This sets the frequency of the VPM (Variable Phase Modulation) modulator as a harmonic multiple of oscillator.
NARROW : This plays back the wavetable’s waveform at high speed. Use DEPTH to set the repeat position.
REFRECT : Plays the wavetable’s waveform back in reverse from the end.
SUB OSC : Plays the sub-oscillator. Set the volume using LEVEL, and the octave value within a range of -2 to 0 using OCTAVE.

Filter

Type
This selects the filter type.

CUTOFF
Sets the cutoff frequency. Higher values will produce a brighter sound.

PEAK
This emphasizes the overtone spectrum near the cutoff frequency, adding a distinctive character to the sound. Higher settings will emphasize the overtones, increasing the resonance effect.

EG INT
This sets the intensity with which the cutoff is changed by the EG.

UNISON

NUMBER
Sets how many parts are played in unison.

DETUNE
This sets the amount of detuning.

SPREAD
Sets the width (stereo spread) of the sounds played in unison.

EG

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

RELEASE
This sets the amount of time required for the sound to dissipate after the note off.

AMP

LEVEL
Adjusts the volume level of the oscillator.

GATE/EG
Select whether the sound is played using an EG or GATE.

MODULATION

WAVE FORM
This selects the waveform of the MG (modulation generator.)

BPM
If this is on, the frequency of the waveform will synchronize to the tempo of the song.

KEY
If this setting is on, the waveform will be reset with each noteon. The KEY1 setting makes each voice reset when they are played, whereas the KEY2 setting resets all voices once a voice is played.

SPEED
This sets the modulation speed.

DEPTH
Adjusts the depth of the effect that’s produced by the modulation.

SHAPE
Applies modulation to the modulation waveform.

IFX

IFX Type
This selects the IFX type

Edit.1/Edit.2
Adjusts the insert effect parameters. The change in sound will differ, depending on the type of effect.

EQUALIZER

LOW
Adjusts the level of the low-frequency range of the sound.

HIGH
Adjusts the level of the high-frequency range of the sound.

 

Fairbanks
Hybrid Synth

Fairbanks is built on a brand new engine that allows you to create a wide variety of rich and powerful sounds ranging from warm analog sounds to sharp synth leads to shimmering FM sounds - even tempo-synced sequences. Each sound has the optimal parameters selected on the interface so you can quickly adjust to suit your preferences.

Fairbanks.png

 

LEVEL
This sets the volume.

PITCH
This sets the pitch bend.

MOD
This sets the depth of the vibrato.

Parameter 1 - 8
Sets parameters assigned to each program.

MODULATION EFFECT 

TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.


AMBIENT EFFECT

TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type. 

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Tips The parameters that can be specified with Edit 1 and Edit 2 will differ depending on the effect selected with Type.

 

Ebina
TAITO ARCADE SYNTHESIZER

This is a synth gadget inspired by the Darius arcade cabinet and its distinctive three-screen design. Synth sounds have been recorded from arcade games such as Darius and The Ninja Warriors. Through collaboration with Taito, we reproduced FM tone generator sounds as closely as possible, successfully reproducing sounds of these legendary arcade games.

Ebina.png

 

OSC

PCM SELECT
This selects the waveform of the oscillator.

CH 1 LEVEL
This sets the oscillator volume.

CH 2 LEVEL
This sets the oscillator delay and detune volume.

CH 3 LEVEL
This sets the oscillator delay and detune volume.

DETUNE 
This sets the amount of the oscillator detune.

DELAY
This sets the oscillator delay time.

DELAY BPM SYNC
If this is On, the oscillator delay time will synchronize to the tempo of the song.

PITCH

EG INT 
This sets the depth of the modulation where the EG will affect the pitch.

LFO DEPTH 
This sets the depth of the modulation where the LFO will affect the pitch.

OCTAVE 
This adjusts the pitch produced by oscillator, in octaves.

PORTAMENTO 
This sets the pitch glide speed.

EG START LEVEL
This sets the start level for the pitch EG.

EG ATTACK TIME
This sets the attack time for the pitch EG.

EG ATTACK LEVEL 
This sets the attack level for the pitch EG.

EG DECAY TIME 
This sets the decay time for the pitch EG.

AMP

OUTPUT LEVEL
This sets the volume.

LFO DEPTH
This sets the depth of the modulation where the LFO will affect the volume.

EG ATTACK TIME
This sets the amount of time from note-on until the attack level is reached.

EG DECAY TIME 
This sets the amount of time from when the attack level is reached until the sustain level is reached.

EG SUSTAIN LEVEL 
This sets the sustain level.

EG RELEASE TIME 
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

FLT

CUTOFF 
This sets the cutoff frequency of the filter.

RESONANCE 
This sets the resonance of the filter.

EG INT
This sets the depth of the modulation where the EG will affect the filter.

LFO DEPTH 
This sets the depth of the modulation where the LFO will affect the filter.

EG ATTACK TIME
This sets the attack time for the filter EG.

EG DECAY TIME 
This sets the decay time for the filter EG. 

EG SUSTAIN LEVEL 
This sets the sustain level for the filter EG.

EG RELEASE TIME 
This sets the release time for the filter EG.

LFO

WAVEFORM 
This selects the LFO waveform.

FREQUENCY 
This sets the LFO speed.

BPM SYNC
If this is On, the LFO speed will synchronize to the tempo of the song.

KEY SYNC
If this setting is On, the phase of the LFO will be reset at each note-on.

FADE-IN
Sets the amount of time for the LFO to reach its maximum depth.

MISC

EFFECT TYPE
This selects the effect type.

EFFECT EDIT 1/2
The parameter that’s controlled by this knob will depend on the effect type.

VOICE MODE
This sets how notes will be played.

BEND RANGE
This sets the pitch bend.

 

Santa Ana
Rhythm Guitar Machine

Santa Ana is a rhythm guitar gadget that instantly produces realistic guitar sounds using only the keyboard. Even if you don't play guitar, you can create rhythm guitar tracks by selecting a suitable pattern from the preset styles and placing notes. The built-in amp and effects can be used to adjust the sound to your liking, and there are a variety of freely playable sounds available for a wide range of purposes, including guitar solos.

SantaAna.png

 

MOD

WAH Depth
Sets the amount of Wah applied.

WAH SWITCH
Set the Wah on/off.

RHYTHM PATTERN

START
Sets the starting position of the pattern.

L.START
Sets the loop start position of the pattern.

L.END
Sets the loop end position of the pattern.

RATIO
Sets the speed of the pattern.

PATTERN SWITCH
Switches rhythm patterns (supported programs only)

MASTER
Sets the output volume.

AMP/CAB

TYPE
Select the amp/cabinet type.

GAIN
Sets the volume sent to the amp.

DRIVE
Sets the amount of distortion.

BASS
Sets the volume of the bass-range.

MIDDLE
Sets the volume of the mid-range.

TREBLE
Sets the volume of the high-range.

AMB

DELAY
Sets the amount of the delay.

DELAY TIME
Set the delay time.

REVERB
Sets the amount of the reverb.

WIDNER
Set the sound spread.

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